#writing

A writer needs to ingest love to be passionate. Passion is a metabolite of love, and good writing is an active metabolite of passion. ↗

— Roman Payne

#love #loving #metabolite #passion #payne

Last week I placed a hand-written sign in front of my neighborhood that read, “Lost Mustache. Please do not feed. If found, contact Mouth,” and I left my phone number. Nobody’s called. Perhaps the neighborhood cat lady took it in and is petting it on her lap at this very moment. Ah, but that’s life, no?
 ↗

— Jarod Kintz

#cat-lady #cats #contact #lap #life

Every time I complete a major project I reward myself with two full days of just reading and coffee! I do justify that it is my work! ↗

— Delia J. Colvin

#paranormal-romance #the-sibylline-oracle #the-symbolon #writing-life #life

I am incomplete without my work. I am so closely bound to it, so much identified by it, that without it I think I would crumble into dust and drift away. ↗

— Terry Brooks

#writing #life

If a writer starts worring about what he or she has left out or forgotten, they might not be able to write even a single line. ↗

— Baby Halder

#bengali #india #memoir #women #women-writers

I really learned how to write from Robert Louis Stevenson, Anthony Trollope, and de Maupassant. ↗

— Louis L'Amour

#writing-craft #writing-life #life

You don't know what love is until someone lives with you while you write a book. ↗

— Thulani Davis

#writing #love

Where do you think my new novel is? In the waste basket. I can see myself that it's no good on earth, and when a loving author realizes this, what would be the judgment of a critical public? ↗

— Jean Webster

#writing #love

You may think novelists always have fixed plans to which they work, so that the future predicted by Chapter One is always inexorably the actuality of Chapter Thirteen. But novelists write for countless different reasons: for money, for fame, for reviewers, for parents, for friends, for loved ones; for vanity, for pride, for curiosity, for amusement: as skilled furniture makers enjoy making furniture, as drunkards like drinking, as judges like judging, as Sicilians like emptying a shotgun into an enemy's back. I could fill a book with reasons, and they would all be true, though not true of all. Only one same reason is shared by all of us: we wish to create worlds as real as, but other than the world that is. Or was. This is why we cannot plan. We know a world is an organism, not a machine. ↗

— John Fowles

#writing #love

The show doesn’t go on because it’s ready; it goes on because it’s 11:30. This is something Lorne [Michaels] has said often about Saturday Night Live, but I think it’s a great lesson about not being too precious about your writing. You have to try your hardest to be at the top of your game and improve every joke you can until the last possible second, and then you have to let it go. You can’t be that kid standing at the top of the waterslide, overthinking it. You have to go down the chute. (And I’m from a generation where a lot of people died on waterslides, so this was an important lesson for me to learn.) You have to let people see what you wrote. It will never be perfect, but perfect is overrated. Perfect is boring on live TV. What I learned about ‘bombing’ as an improviser at Second City was that bombing is painful, but it doesn’t kill you. No matter how badly an improv set goes, you will still be physically alive when it’s over. What I learned about bombing as a writer at Saturday Night is that you can’t be too worried about your ‘permanent record.’ Yes, you’re going to write some sketches that you love and are proud of forever—your golden nuggets. But you’re also going to write some real shit nuggets. And unfortunately, sometimes the shit nuggets will make it onto the air. You can’t worry about it. As long as you know the difference, you can go back to panning for gold on Monday. ↗

— Tina Fey

#writing #love