#you

I'm not subject to their rise and fall because I'm not accepted by them, so I have my own little curve going on. A lot of it is because of how much I play, I think I connect like when all you had was Vaudeville, I think I have an audience by performing a lot! ↗

— Leo Kottke

#audience #because #connect #curve #fall

I am evidence that you don't have to sell a lot of records or succeed in the usual way to have a big audience and a job. ↗

— Leo Kottke

#audience #big #evidence #i #i am

I think if you are writing an instrumental you are dealing with more of an aesthetic in a sense but a lyric is more of a putting yourself on the line and a much more expensive exercise. ↗

— Leo Kottke

#dealing #exercise #expensive #i #i think

I think that open tunings are a trap really because it's really hard not to sound like an open tuning when your using one and that gets old as well as what you learn in one open tuning is going to stay there. ↗

— Leo Kottke

#gets #going #hard #i #i think

I would say that if you don't feel like talking to the crowd something is wrong and if you force yourself to talk to them things will happen and to that extent things aren't choreographed. ↗

— Leo Kottke

#crowd #extent #feel #force #happen

There are nights when you can feel stale because you've fallen into a pattern by touring too much, but it's easy to get out of it by deliberately getting in trouble and playing yourself into a corner to then see if you can get out of it. ↗

— Leo Kottke

#corner #deliberately #easy #fallen #feel

We spent a lot of time on that record with the sound and recorded it on the Paramount sound stage which is this huge room where the sound is reflected but the reflection is so late and comes from so far away that it doesn't blur the music but gives you a room nonetheless. ↗

— Leo Kottke

#blur #comes #far #far away #gives

It is not a mystical thing, however, it is obvious and practical and I think that what the performer does is to try to get to that point with every choice you make from the phrasing in a tune to the choice of tunes. ↗

— Leo Kottke

#does #every #get #however #i

It was a kind of paralysis you would get from tendonitis and I would last about five to ten minutes into the set and it would set in and I really couldn't play. ↗

— Leo Kottke

#five #get #i #into #kind

It's true that the more you put in the more you get out and that has to be there I think, If you aren't really hooked on your instrument this job would be a hell on earth but if you are, it's the best. ↗

— Leo Kottke

#earth #get #hell #hooked #i