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All right," she said in a low, determined voice. 'I'll go along with this. But you are not, under any circumstances, to refer to me again as 'the future Mrs. Bobby Tom,' do you understand? Because if you say that just once, just once, I will personally tell the entire world that our engagement is a fraud. Furthermore, I will announce that you are-are-" Her mouth opened and closed, She's stared out strong, but now she couldn't think of anything terrible enough to throw at him. An ax murderer?" he offered helpfully. When she didn't reply, he tried again. " A vegetarian?" It came to her in a flash. "Impotent! ↗
The point I was trying to make before you interrupted with your inventory of my personality is that neither of us is going to be able to stay celibate for the next six months." She dropped her eyes. If only he knew that she'd stayed that way all her life. We'll be living in close quarters," he went on. "We're legally married, and it's only natural that we're going to get it on." Get it on? His bluntness reminded her that none of this meant anything to him emotionally, and contrary to all logic, she'd wanted to hear something romantic. With some pique, she said, "In other words, you expect me to keep house, work for the circus, and 'get it on' with you." He thought it over. "I guess that's about the size of it. ↗
I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3: ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever. And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it: BERTIE: Touch of indigestion, Jeeves? JEEVES: No, Sir. BERTIE: Then why is your tummy rumbling? JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us. BERTIE: Animal? What animal? JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner. BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?" JEEVES: I fancy it might be judicious if you were to make an exit, Sir. BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile. Who can say which method is superior?" (As reproduced in Plum, Shakespeare and the Cat Chap ) ↗
We watched Vamps hunting Vamps, Vamp hunters and Witches torching Vamps, teenage girls kissing Vamps. And we giggled and swooned through it all. ↗
His heart cracked, and he fell in love. He wondered if she would marry him. “Tu sei pazzo,” she told him with a pleasant laugh. “Why am I crazy?” he asked. “Perché non posso sposare.” “Why can’t you get married?” “Because I am not a virgin,” she answered. “What has that got to do with it?” “Who will marry me? No one wants a girl who is not a virgin.” “I will. I’ll marry you.” “Ma non posso sposarti.” “Why can’t you marry me?” “Perché sei pazzo.” “Why am I crazy?” “Perché vuoi sposarmi.” Yossarian wrinkled his forehead with quizzical amusement. “You won’t marry me because I’m crazy, and you say I’m crazy because I want to marry you? Is that right?” “Si.” “Tu sei pazz’!” he told her loudly. “Perché?” she shouted back at him indignantly, her unavoidable round breasts rising and falling in a saucy huff beneath the pink chemise as she sat up in bed indignantly. “Why am I crazy?” “Because you won’t marry me.” “Stupido!” she shouted back at him, and smacked him loudly and flamboyantly on the chest with the back of her hand. “Non posso sposarti! Non capisci? Non posso sposarti.” “Oh, sure, I understand. And why can’t you marry me?” “Perché sei pazzo!” “And why am I crazy?” “Perché vuoi sposarmi.” “Because I want to marry you. Carina, ti amo,” he explained, and he drew her gently back down to the pillow. “Ti amo molto.” “Tu sei pazzo,” she murmured in reply, flattered. “Perché?” “Because you say you love me. How can you love a girl who is not a virgin?” “Because I can’t marry you.” She bolted right up again in a threatening rage. “Why can’t you marry me?” she demanded, ready to clout him again if he gave an uncomplimentary reply. “Just because I am not a virgin?” “No, no, darling. Because you’re crazy. ↗
When we first got married, we made a pact. It was this: In our life together, it was decided I would make all of the big decisions and my wife would make all of the little decisions. For fifty years, we have held true to that agreement. I believe that is the reason for the success in our marriage. However, the strange thing is that in fifty years, there hasn’t been one big decision. ↗
