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Read through the most famous quotes by topic #ann
It is now quite lawful for a Catholic woman to avoid pregnancy by a resort to mathematics, though she is still forbidden to resort to physics and chemistry. ↗
So say I’m your mom.' 'What?' I said. 'I’m your mom,' he repeated. 'Now tell me you want to quit modeling.' I could feel myself blushing. 'I can’t do that,' I said. 'Why not?' he asked. 'Is it so hard to believe? You think I’m not a good role-player?' 'No,' I said. 'It’s just–' 'Because I am. Everyone wanted me to be their mother in group.' I just looked at him. 'I just… It’s weird.' 'No, it’s hard. But not impossible. Just try it.' A week earlier, I hadn’t even known what color his eyes were. Now, we were family. At least temporarily. ↗
I was also sick of my neighbors, as most Parisians are. I now knew every second of the morning routine of the family upstairs. At 7:00 am alarm goes off, boom, Madame gets out of bed, puts on her deep-sea divers’ boots, and stomps across my ceiling to megaphone the kids awake. The kids drop bags of cannonballs onto the floor, then, apparently dragging several sledgehammers each, stampede into the kitchen. They grab their chunks of baguette and go and sit in front of the TV, which is always showing a cartoon about people who do nothing but scream at each other and explode. Every minute, one of the kids cartwheels (while bouncing cannonballs) back into the kitchen for seconds, then returns (bringing with it a family of excitable kangaroos) to the TV. Meanwhile the toilet is flushed, on average, fifty times per drop of urine expelled. Finally, there is a ten-minute period of intensive yelling, and at 8:15 on the dot they all howl and crash their way out of the apartment to school.” (p.137) ↗
#bed #cannonball #cartoon #cartwheel #ceiling
Although there are those who wish to ban my books because I have used language that is painful, I have chosen to use the language that was spoken during the period, for I refuse to whitewash history. The language was painful and life was painful for many African Americans, including my family. I remember the pain. ↗
Daniel chuckled. Whoever that poor girl was, he hoped his family was paying her well. And then, finally, she lifted her fingers from the keys as Daisy began her painful violin solo. He watched her exhale, stretching her fingers, and then . . . She looked up. Time stopped. It simply stopped. It was the most maudlin and clichéd way of describing it, but those few seconds when her face was lifted toward his . . . they stretched and pulled, melting into eternity. She was beautiful. But that didn’t explain it. He’d seen beautiful women before. He’d slept with plenty of them, even. But this . . . Her . . . She . . . Even his thoughts were tongue-tied. ↗
#anne #daniel #julia-quinn #beauty
The Place Faidherbe had the characteristic atmosphere, the overdone décor, the floral and verbal excess, of a subprefecture in southern France gone mad. The ten cars left the Place Faidherbe only to come back five minutes later, having once more completed the same circuit with their cargo of anemic Europeans, dressed in unbleached linen, fragile creatures as wobbly as melting sherbet. For weeks and years these colonials passed the same forms and faces until they were so sick of hating them that they didn’t even look at one another. The officers now and then would take their families out for a walk, paying close attention to military salutes and civilian greetings, the wives swaddled in their special sanitary napkins, the children, unbearably plump European maggots, wilted by the heat and constant diarrhea. To command, you need more than a kepi; you also need troops. In the climate of Fort-Gono the European cadres melted faster than butter. A battalion was like a lump of sugar in your coffee; the longer you looked the less you saw. Most of the white conscripts were permanently in the hospital, sleeping off their malaria, riddled with parasites made to order fo every nook and cranny of the body, whole squads stretched out flat between cigarettes and flies, masturbating under moldy sheets, spinning endless yarns between fits of painstakingly provoked and coddled fever. ↗
Why are you here? I'm here because this is where my Mom's family is from and after my parents got divorced, she kept the house. Because I was conceived and born and grew up. I'm breathing and my heart is beating and as much as it hurts—as much searing, monumental pain as it causes me—I have to exist. ↗
