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Read through the most famous quotes by topic #austen
I haven't any right to criticize books, and I don't do it except when I hate them. I often want to criticize Jane Austen, but her books madden me so that I can't conceal my frenzy from the reader; and therefore I have to stop every time I begin. Every time I read Pride and Prejudice I want to dig her up and beat her over the skull with her own shin-bone. ↗
I couldn't exactly blame Jane Austen for being a romantic. What the hell else was there to do back then for fun? ↗
What on earth did you say to Isola? She stopped in on her way to pick up Pride and Prejudice and to berate me for never telling her about Elizabeth Bennet and Mr. Darcy. Why hadn't she known there were better love stories around? Stories not riddled with ill-adjusted men, anguish, death and graveyards! ↗
#leading-men #literature #pride-and-prejudice #romance #death
... [In 'Pride and Prejudice'] Mr Collins's repulsiveness in his letter [about Lydia's elopement] does not exist only at the level of the sentence: it permeates all aspects of his rhetoric. Austen's point is that the well-formed sentence belongs to a self-enclosed mind, incapable of sympathetic connections with others and eager to inflict as much pain as is compatible with a thin veneer of politeness. Whereas Blair judged the Addisonian sentence as a completely autonomous unit, Austen judges the sentence as the product of a pre-existing moral agent. What counts is the sentence's ability to reveal that agent, not to enshrine a free-standing morsel of truth. Mr Darcy's letter to Elizabeth, in contrast, features a quite different practice of the sentence, including an odd form of punctation ... The dashes in Mr Darcy's letter transform the typographical sentence by physically making each sentence continuous with the next one. ... The dashes insist that each sentence is not self-sufficient but belongs to a larger macrostructure. Most of Mr Darcy's justification consists not of organised arguments like those of Mr Collins but of narrative. ... The letter's totality exists not in the typographical sentence but in the described event. ↗
After a moment, he added more seriously: 'I don't get as angry as m'father used to about things. Or maybe I', just better at hiding m'feelings.' 'I fear I'm not very good at hiding my feelings.' He covered my hand with his own. 'That's what I like about you. I liked it from the first. You're so different from the others. ↗
I saw that he was looking anxious. 'I thought you weren't coming.' As he spoke, he grasped my hand. And if the sight of him had not quite restored the magic, the touch of him most certainly did. 'You're not wishing yourself some place else, Mary? ↗
Ah yes.' Peter's tone was scornful. 'And they must always be paid before the poor tradesmen's bills, mustn't they?' 'They must indeed. They are debts of honour.' 'Oh, Mary.' He leant over and kissed me quickly. 'What a lot we'll have to argue about after we're married. ↗
#jennifer-paynter #love #mary-bennet #peter-bushell #pride-and-prejudice
