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Read through the most famous quotes by topic #authors
Art is a conversation we are all invited to and are all worthy to participate in. Yes, great works can be intimidating, but no one else in the world has what you have -- your voice, your eyes, your feeling and perspective. Other people have written great books, but no one else will ever write YOUR book. It's worth writing. That is the belief that carries me through. ↗
An increasing number of people are taking advantage of having a leg up on their competition by branding themselves as "the expert" in their particular niche. Call it a business card, a resume, a billboard, or whatever you choose, but the long and short of it is that books are no longer just books. They are branding devices and credibility builders, not to mention door openers. Books are the reason that authors command large speaking and consulting fees. ↗
I often said that writers are of two types. There is the architect, which is one type. The architect, as if designing a building, lays out the entire novel at a time. He knows how many rooms there will be or what a roof will be made of or how high it will be, or where the plumbing will run and where the electrical outlets will be in its room. All that before he drives the first nail. Everything is there in the blueprint. And then there's the gardener who digs the hole in the ground, puts in the seed and waters it with his blood and sees what comes up. The gardener knows certain things. He's not completely ignorant. He knows whether he planted an oak tree, or corn, or a cauliflower. He has some idea of the shape but a lot of it depends on the wind and the weather and how much blood he gives it and so forth. No one is purely an architect or a gardener in terms of a writer, but many writers tend to one side or the other. I'm very much more a gardener. ↗
The calling of an author is more than just to entertain, but also to share ones experiences with the world. ↗
#inspirational #inspirational-quotes #m-j-stoddard-quotes #experience
If I weren't so screwed up, I would've sold my soul a long time ago for a handsome man who made me feel pretty or who could at least treat me to a Millionaire's Martini. Instead I lingered over a watered down Sparkling Apple and felt sorry about what I was about to do to the blue-eyed bartender standing in front of me. Although I shouldn’t, after all, I am a bail recovery agent. It's my job to get my skip, no matter the cost.If I weren't so screwed up, I would've sold my soul a long time ago for a handsome man who made me feel pretty or who could at least treat me to a Millionaire's Martini. Instead I lingered over a watered down Sparkling Apple and felt sorry about what I was about to do to the blue-eyed bartender standing in front of me. Although I shouldn't, after all, I am a bail recovery agent. It's my job to get my skip, no matter the cost. Yet, I had been wondering lately. What was this job costing me? Yet, I had been wondering lately. What was this job costing me? ↗
#chicklit #family-drama #mystery-suspense #romantic-suspense #southern-authors
How can you measure progress if you don't know what it costs and who has paid for it? How can the "market" put a price on things - food, clothes, electricity, running water - when it doesn't take into account the REAL cost of production? ↗
#cities #colonialism #exploitation #first-world #human-rights
We live, all of us, in sprung rhythm. Even in cities, folk stir without knowing it to the surge in the blood that is the surge and urgency of season. In being born, we have taken seisin of the natural world, and as ever, it is the land which owns us, not we, the land. Even in the countryside, we dwell suspended between the rhythms of earth and season, weather and sky, and those imposed by metropolitan clocks, at home and abroad. When does the year begin? No; ask rather, When does it not? For us – all of us – as much as for Mr Eliot, midwinter spring is its own season; for all of us, if we but see it, our world is as full of time-coulisses as was Thomas Mann’s. Countrymen know this, with the instinct they share with their beasts. Writers want to know it also, and to articulate what the countryman knows and cannot, perhaps, express to those who sense but do not know, immured in sad conurbations, rootless amidst Betjeman’s frightful vision of soot and stone, worker’s flats and communal canteens, where it is the boast of pride that a man doesn’t let the grass grow under his feet. As both countryman and writer, I have a curious relationship to time. ↗
#country-life #countryside #sir-john-betjeman #time #village-life
Why did Africa let Europe cart away millions of Africa's souls from the continent to the four corners of the wind? How could Europe lord it over a continent ten times its size? Why does needy Africa continue to let its wealth meet the needs of those outside its borders and then follow behind with hands outstretched for a loan of the very wealth it let go? How did we arrive at this, that the best leader is the one that knows how to beg for a share of what he has already given away at the price of a broken tool? Where is the future of Africa? ↗
And I knew in my bones that Emily Dickinson wouldn't have written even one poem if she'd had two howling babies, a husband bent on jamming another one into her, a house to run, a garden to tend, three cows to milk, twenty chickens to feed, and four hired hands to cook for. I knew then why they didn't marry. Emily and Jane and Louisa. I knew and it scared me. I also knew what being lonely was and I didn't want to be lonely my whole life. I didn't want to give up on my words. I didn't want to choose one over the other. Mark Twain didn't have to. Charles Dickens didn't. ↗
