For example, when my mother died, the people who showed up just to put an apron on to cook, people who really do the right thing, so to speak, as my momma would always say to show that they care, a sense of community that we've lost so much in our country. ↗
However, most of my part, I play a pediatrician, and most of my role had to do with being in another place, staying at the hospital and trying to save kids and stay until people could come. So, it was more based on reality. ↗
Which is a wonderful irony, I have property there. I go back every chance I get. One of the main reasons I actually wrote the book, agreed to write it having never wanted to do that in my life, very intimidating by the way to write a book. ↗
You do become very close like a family but because you see each other for such an intense period of time on the set everyday. You really don't end up socializing that much. ↗
I don't think there's any independent cartoonist whose stuff I don't like or respect in at least some way or another. We're all marginal laborers - we're practically medical oddities - so I don't see why we can't all be nice to each other. ↗
I can definitely say that of all my friends who I consider to be really great cartoonists, we're all trying to aim at basically the same thing, which is an ever closer representation of what it feels like to be alive. ↗
I think it has most to do with the way in which a story is told, whether it feels real either via the music of the telling or the 'honesty' of the story. ↗