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Anyway, here.” He handed me a bag. “Thought you might be hungry. Since you’re our guests, it would be impolite if we didn’t share our food with you. That’s your rations for the week. Try to make it last.” At my surprised look, he rolled his eyes. “Not all of us live on oil and electricity, you know.” “What about Ash and Puck?” “Well, I’m pretty sure eating our food won’t melt their insides to gooey paste. But you never know.” (Glitch) ----------------- Puck sat and gazed mournfully into the bowl I handed him. “Not an apple slice to be found,” he sighed, picking through the gooey mess with his fingers. “How can mortals even pass this off as fruit? It’s like a peach farmer threw up in a bowl.” Ash picked up the spoon, gazing at it like it was an alien life form. ↗
Miki held up a tennis ball, looked at Sara’s new Pack, and tossed it out into the forest away from the ongoing rave. They all watched it go, then they turned back to Miki. “Okay. Go…” Sara and Angelina slapped their hands over their friend’s mouth before the word “fetch” could come out of it. They pulled her over to one of the food tables. “Are you out of your ever-loving mind?! Everyone here but us is like Sara.” Angelina snapped. “And after seeing them in action I’d rather not fuck with them!” Miki gave that innocent smile. “It was just a little experiment. ↗
Each of us is born with a box of matches inside us but we can't strike them all by ourselves; just as in the experiment, we need oxygen and a candle to help. In this case, the oxygen, for example, would come from the breath of the person you love; the candle could be any kind of food, music, caress, word, or sound that engenders the explosion that lights one of the matches. ↗
The creative act is a letting down of the net of human imagination into the ocean of chaos on which we are suspended, and the attempt to bring out of it ideas. It is the night sea journey, the lone fisherman on a tropical sea with his nets, and you let these nets down - sometimes, something tears through them that leaves them in shreds and you just row for shore, and put your head under your bed and pray. At other times what slips through are the minutiae, the minnows of this ichthyological metaphor of idea chasing. But, sometimes, you can actually bring home something that is food, food for the human community that we can sustain ourselves on and go forward. ↗
And I find chopsticks frankly distressing. Am I alone in thinking it odd that a people ingenious enough to invent paper, gunpowder, kites and any number of other useful objects, and who have a noble history extending back 3,000 years haven't yet worked out that a pair of knitting needles is no way to capture food? ↗
The past has given us much too many bad answers for us not to see that the mistakes were in the questions themselves. There is no need to choose between the fetishism of spontaneity and the organization control; between the "come one, come all" of activist networks and the discipline of hierarchy; between acting desperately now and waiting desperately for later; between bracketing that which is to be lived and experimented in the name of paradise that seems more and more like a hell the longer it is put off and flogging the dead horse of how planting carrots is enough to leave this nightmare. ↗
I didn’t look at Thanet. I couldn’t because he would see the hurt on my face. “He loves you,” Thanet said. “He’s hurting and it’s not just the Quinn thing. It’s being away from you and wondering if you’re hurting, too. Or if you’re having too much fun to hurt. What he really needed was to laugh, though. So we laughed…until he cried.” That undid me. I looked at Thanet with so many questions on my lips. ↗
At then end of this experiment we call Alice's childhood, I imagine if she's as eager to move ahead with her passions as the graduates I'd just met, and as fond of her family as these kids seemed to be of theirs, I'll have my answer. ↗
