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#city

Read through the most famous quotes by topic #city




it felt increasingly, as I became more whole, that I had made it all up, and that I was a phoney. I had to come to some place of acceptance. If I made it all up, then I am an unspeakably evil person, leading so many wonderful, intelligent people astray. What a scheming mind I must have. I knowledge will be hard too live with. But harder still is the thought that perhaps, just perhaps it is all true; that I really was horribly, ritualistically abused in a satanic setting, over and over again and as a result my mind fragmented. The implications of that are completely overwhelming. It was me, my body, that they did those things to. No, I would rather believe I am an evil and deceitful person. At least the I can change, and say sorry, and live a better life from now on. ↗


— Carolyn Bramhall


#dissociation #dissociative-identity-disorder #memories #mpd #multiple-personality-disorder

I was always a clown. In the eighth grade I won a city speech contest by doing an Eddie Murphy routine. I'm no good at public speaking, but if I can assume a role and speak as that person, then I'm fine. When I had to give a book report, I always did it in character. ↗


— Jason Wiles


#assume #book #character #city #clown

Even before string theory, especially as physics developed in the 20th century, it turned out that the equations that really work in describing nature with the most generality and the greatest simplicity are very elegant and subtle. ↗


— Edward Witten


#before #century #describing #developed #elegant

I believe in that connection between freedom and the city. ↗


— George Woodcock


#between #city #connection #freedom #i

Real isn't how you are made,' said the Skin Horse. 'It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.' 'Does it hurt?' asked the Rabbit. 'Sometimes,' said the Skin Horse, for he was always truthful. 'When you are Real you don't mind being hurt.' 'Does it happen all at once, like being wound up,' he asked, 'or bit by bit?' 'It doesn't happen all at once,' said the Skin Horse. 'You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand. ↗


— Margery Williams


#ageing #authenticity #becoming #being-loved #being-real

So it's true what they say about warlocks, then?" Alec gave him a very unpleasant look. "What's true?" "Alexander," said Magnus coldly, and Clary met Simon's eyes across the table. Hers were wide, green, and full of an expression that said Uh-oh. "You can't be rude to everyone who talks to me." Alec made a wide, sweeping gesture. "And why not? Cramping your style, am I? I mean, maybe you were hoping to flirt with werewolf boy here. He's pretty attractive, if you like the messy-haired, broad-shouldered, chiseled-good-looks type." "Hey, now," said Jordan mildly. Magnus put his head in his hands. "Or there are plenty of pretty girls here, since apparently your taste goes both ways, Is there anything you aren't into?" "Mermaids," said Magnus into his fingers. "They always smell like seaweed." "It's not funny," Alec said savagely, and kicking back his chair, he got up from the table and stalked off into the crowd. ↗


— Cassandra Clare


#cassandra-clare #city-of-fallen-angels #clary-fray #funny #humor

The cord pulled taut and she rebounded, flying back up before falling again. As her velocity slowed, she opened her eyes and found herself dangling at the end of the cord, about five feet above Jace. He was grinning. "Nice," he said. "As graceful as a falling snowflake." "Was I screaming?" She asked, genuinely curious. "You know, on the way down." He nodded. "Thankfully no one's home, or they would have assumed I was murdering you." "Ha. You can't even reach me." She kicked out a leg and spun lazily in midair. Jace's eyes glinted. "Want to bet?" Clary knew that expression. "No," she said quickly. "Whatever you're going to do-" But he'd already done it. When Jace moved fast, his individual movements were almost invisible. She saw his hand go to his belt, and then something flashed in the air. She heard the sound of parting fabric as the cord above her head was sheared through. Released, she fell freely, too surprised to scream- directly into Jace's arms. The force knocked him backward, and they sprawled together onto one of the padded floor mats, Clary on top of him. He grinned up at her. "Now," he said, "that was much better. You didn't scream at all." "I didn't get the chance." She was breathless, and not just from the impact of the fall. Being sprawled on top of Jace, feeling his body against hers, made her hands shake and her heart beat faster. ↗


— Cassandra Clare


#city-of-fallen-angels #clary-fray #funny #humor #jace-wayland

For us to deem a work of architecture elegant, it is hence not enough that it look simple: we must feel that the simplicity it displays has been hard won, that it flows from the resolution of demanding technical or natural predicament. Thus we call the Shaker staircase in Pleasant Hill elegant because we know--without ever having constructed one ourselves--that a staircase is a site complexity, and that combinations of treads, risers and banisters rarely approach the sober intelligibility of the Sharkers' work. We deem a modern Swiss house elegant because we not how seamlessly its windows have been joined to their concrete walls, and how neatly the usual clutter of construction has been resolved away. We admire starkly simple works that we intuit would, without immense effort, have appeared very complicated. (p 209) ↗


— Alain de Botton


#complexity #complicated #construction #design #elegance

[Donald] Keene observed [in a book entitled The Pleasures of Japanese Literature, 1988] that the Japanese sense of beauty has long sharply differed from its Western counterpart: it has been dominated by a love of irregularity rather than symmetry, the impermanent rather than the eternal and the simple rather than the ornate. The reason owes nothing to climate or genetics, added Keene, but is the result of the actions of writers, painters and theorists, who had actively shaped the sense of beauty of their nation. Contrary to the Romantic belief that we each settle naturally on a fitting idea of beauty, it seems that our visual and emotional faculties in fact need constant external guidance to help them decide what they should take note of and appreciate. 'Culture' is the word we have assigned to the force that assists us in identifying which of our many sensations we should focus on and apportion value to. ↗


— Alain de Botton


#design #emotional #japan #simplicity #value

I find that to be a fool as to worldly wisdom, and to commit my cause to God, not fearing to offend men, who take offence at the simplicity of truth, is the only way to remain unmoved at the sentiments of others. ↗


— John Woolman


#commit #fearing #find #fool #god






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