I directed 24's pilot. I felt we should follow the characters around as if we were a documentary crew, using available light, hand-held cameras, split screens, sound that isn't always what it should be, to suit the reality of the premise. ↗
I realise few people get to live the life they always wanted, but I'm so neurotic, I don't really think about it. I'm too busy thinking, 'I hope I don't screw up my next scene.' ↗
So what do we do? Anything. Something. So long as we just don't sit there. If we screw it up, start over. Try something else. If we wait until we've satisfied all the uncertainties, it may be too late. ↗
All your travelling is together, you eat together, you're on stage as a band together, when you get to the sound-check the band and the crew are all together. ↗