#critic

Christ, he was paranoid about criticism. I used to say: why doesn't he worry about the team and forget what people are saying? He got Phil Thompson, who was a kid coming through when I was a Liverpool player, to have a go at me. So now I don't talk to him. ↗

— Ian St. John

#christ #coming #criticism #forget #go

We call ourselves public servants but I'll tell you this: we as public servants must set an example for the rest of the nation. It is hypocritical for the public official to admonish and exhort the people to uphold the common good. ↗

— Barbara Jordan

#call #common #common good #example #exhort

t this point I would like to return to the question of the plot movement and the different narrative levels of the book. David Lodge raises a crucial issue when he asks 'how Charlotte Brontë created a literary structure in which the domestic and the mythical, the realistic world of social behaviour and the romantic world of passionate self-consciousness, could co-exist with only occasional lapses into incongruity.' As far as the plot and setting go, however, this states the question rather misleadingly, for in fact at Thornfield there begins a progressive plot movement from realism to fantasy. By 'realism' I do not mean the predominance of the every day and commonplace, or an authorial objectivity of treatment, but simply the use of material that the reader can accept as existing in the ordinary world as well, or of events of a kind that might happen in it without being viewed as extraordinary. That is, things that have a face-value currency of meaning prior to any concealed meaning they may hold or suggest. Thus while Gateshead and Lowood School fit neatly into, and contribute importantly to, the symbolic pattern of the book, they are perfectly believable places in their own right. Even the heavy-handed and obvious satire of Mr Brocklehurst and his family does not invalidate him as a credible conception. But with the beginning of the mystery of the Thornfield attic the plot starts moving away from this facevalue actuality. ↗

— Ian Gregor

#family

I've often been accused of spending more time and energy criticizing my fellow Democrats than criticizing Republicans. ↗

— Mickey Kaus

#been #criticizing #democrats #energy #fellow

Two cheers for Democracy; one because it admits variety, and two because it permits criticism. ↗

— E. M. Forster

#cheers #criticism #democracy #permits #two

I've had trouble with criticism, I guess. It's hard to know what role criticism plays in either encouraging poets or in getting other people to read them. ↗

— Kenneth Koch

#either #encouraging #getting #guess #had

Politics can be relatively fair in the breathing spaces of history; at its critical turning points there is no other rule possible than the old one, that the end justifies the means. ↗

— Arthur Koestler

#critical #end #fair #history #justifies

Right action tends to be defined in terms of general individual rights and standards that have been critically examined and agreed upon by the whole society. ↗

— Lawrence Kohlberg

#agreed #been #critically #defined #examined

My project was radiation damage of Si and Ge by energetic electrons, critical for the use of the recently developed semiconductor devices for applications in outer space. ↗

— Walter Kohn

#critical #damage #developed #devices #electrons

I think a moment of critical energy has suddenly emerged. But moments like this come and go unless we seize them at their height. ↗

— Jonathan Kozol

#come and go #critical #emerged #energy #go