No subscription or hidden extras
Read through the most famous quotes by topic #d
While the Eternal Feminine in Faust II still appears in personalized form as the Madonna, she works her effects in The Magic Flute as an invisible spiritual power, as music. But this music is the expression of divine love itself, which unites law and freedom, above and below, in the wisdom of the heart and of love. As harmony, it grants humankind divine peace and rules the world as the highest divinity. From the earliest times, magic and music have stood under the rule of the Archetypal Feminine, which in myth and fairy tale is also the mistress of transformation, intoxication, and enchanting sound. Thus it is quite understandable that it is precisely this feminine principle that bestows the magical instruments. The Orpheus motif of the magical taming of the animal energies through music belongs to her, for as mistress of the animals the Great Goddess rules the world of wild as well as tame creatures. She can transform things and people into animal form, tame the animal, and enchant it because, like music, she is able to make the tame wild and the wild tame with the power of her magic. ↗
Eddie Money and Johnny Cash should have collaborated. I’d have paid good last name to see them in concert. ↗
If you're a sports star and you say 'faggot' on the courts, you get fined. But if you're in music and you say it 234 times, you get an MTV music award. ↗
It was a cruel world though. More than half of all children died before they could reach maturity, thanks to chronic epidemics and malnutrition. People dropped like flies from polio and tuberculosis and smallpox and measles. There probably weren't many people who lived past forty. Women bore so many children, they became toothless old hags by the time they were in their thirties. People often had to resort to violence to survive. Tiny children were forced to do such heavy labor that their bones became deformed, and little girls were forced to become prostitutes on a daily basis. Little boys too, I suspect. Most people led minimal lives in worlds that had nothing to do with richness of perception or spirit. City streets were full of cripples and beggars and criminals. Only a small fraction of the population could gaze at the moon with deep feeling or enjoy a Shakespeare play or listen to the beautiful music of Dowland. ↗
Overhead she [Renée] could smell the palm trees, whose tall leaves shook down their aroma. And more than the stifling heat, more than the brilliant light, more than the great dazzling flowers, like faces laughing or grimacing between the leaves, it was the odours that overwhelmed her. An indescribable perfume, potent, exciting, composed of a thousand different perfumes, hung about her; human exudation, the breath of women, the scent of hair; and breezes sweet and swooningly faint were blended with breezes coarse and pestilential, laden with poison. But amid this strange music of odours, the dominant melody that constantly returned, stifling the sweetness of the vanilla and the orchids' pungency was the penetrating, sensual smell of flesh, the smell of lovemaking escaping in the early morning from the bedrooms of newlyweds. ↗
Interesting how fashion is cyclical,” Jaccob said when she came out of the store with two black plastic bags. “Goth was the look when I was young, too.” “It’s not a look,” Chuck said. “I’m just wearing my feelings on the outside.” “Uh huh.” His phone buzzed. “Hang on a second." He rolled up his sleeve to check his HUD, but the call hadn’t come through there. Huh. He had to pick up his phone and check the read-out, which listed a phone number: an old school page. “That’s funny…” “Dad, you’re doing that thing again,” Chuck said. “What thing?” Jaccob asked. “That thing where you have to check every single doohickey you carry around.” “I am not.” Jaccob took his hand out of his coat pocket, where he’d been reaching to check his police scanner or music player (he hadn’t decided which to use first). ↗
