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When I saw the Twilight movies I thought being a Vampyre was so romantic. When my friends decided to be Vampyres it was so cool. We would do anything to be like Dwayne and Maria and the rest. I got what I wished for but I have no life to enjoy it with. ↗
In the detective story, as in its mirror image, the Quest for the Grail, maps (the ritual of space) and timetables (the ritual of time) are desirable. Nature should reflect its human inhabitants, i.e., it should be the Great Good Place; for the more Eden-like it is, the greater the contradiction of murder. The country is preferable to the town, a well-to-do neighborhood (but not too well-to-do-or there will be a suspicion of ill-gotten gains) better than a slum. The corpse must shock not only because it is a corpse but also because, even for a corpse, it is shockingly out of place, as when a dog makes a mess on a drawing room carpet." (The guilty vicarage: Notes on the detective story, by an addict, Harper's Magazine, May 1948) ↗
The only reason you need me at all, John, is because Magick actually works. If it were all just smoke and mirrors and stage magic, if the world worked the way religion or science says it works, then we wouldn’t have Vampyres in the first place. I’d be out of a job. ↗
Dana was what Steve called a "silent partner" in the Brixton Brothers Detective Agency. Being a silent partner meant that Dana didn't carry a business card, that his name didn't appear on the company letterhead, and he wanted nothing to do with the Brixton Brothers Detective Agency. ↗
I removed all the doors to our love, so you can’t lock yourself away from me. But I didn’t stop there. I also replaced the doors with metal detectors, so I could fondle you more efficiently, like the highly trained professionals do who run airport security. ↗
