There was an interesting article in Los Angeles Magazine about women directors. A woman director makes one bad independent film and her career is over. Guys tend to get an opportunity to learn from their mistakes. ↗
When I became a director, I wanted to convince a very reluctant Sidney into allowing me to go on the journey of his life. Sidney had gone ahead of every other African American actor. ↗
A lot of student directors used to pick other students to be in their graduate films, so. I ended up doing a couple of them just for fun. Eventually, I got an agent through a friend and I did some commercials; then I got Knots Landing. ↗
Ten years ago, it was really difficult for a young actress to walk onto a set and disagree with the director and having that be OK and have a conversation about it and everyone be cool with it. ↗
Actually I'd had a certain amount of experience in Europe in the inter-war period, as a banker, and I was also a member of the Board of Directors of the International Chamber of Commerce. ↗
Sometimes the producer has more say and the director takes what he is given. On other occasions, you don't see the producer very much and the director is the one who it is all about. ↗
It's not like every director in every movie is seeking me out by any means, there are a lot of things I'm not suited for, a lot of things I'm not interested in, and a lot of things that directors wouldn't be interested in me for. ↗