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Read through the most famous quotes by topic #drawing
Toutes les erreurs de la critique commises à mon égard, à mes débuts, furent qu'elle ne vit pas qu'il ne fallait rien définir, rien comprendre, rien limiter, rien préciser, parce que tout ce qui est sincèrement et docilement nouveau - comme le beau d'ailleurs, porte sa signification en soi-même. La désignation par un titre mis à mes dessins est quelquefois de trop, pour ainsi dire. Le titre n'y est justifié que lorsqu'il est vague, indéterminé, et visant même confusément à l'équivoque. Mes dessins inspirent et ne se définissent pas. Ils ne déterminent rien. Ils nous placent, ainsi que la musique, dans le monde ambigu de l'indéterminé. Ils sont une sorte de métaphore. ↗
After a time,my hand had become as skilled as my eyes.So if I was drawing a very fine tree , it folt as if my hand was moving without me directly it.As I wathced the pencil race across the page,I would look on it in amazement ,as if the drawing were the proof of another presence , as if someone else had taken up residence in my body.As I marvelled at his work aspiring to beome his equal , another part of my brain was busy inspecting the curves of the branches , the placement of mountains , the composition as a whole , reflecting that I had created this scene on a blank piece of paper.My mind was at the tip of my pen , acting before I could think ; at the same time it could survey what I had already done.This second line of perception , this ability to analyse my progress , was the pleasure this small artist felt when he looked at the discovery of his courage and freedom.To step outside myslef , to know the second pesron who had taken up residence inside me , was to retrace the dividing line that appeared as my pencil slipped across the paper.like a boy sledding in the snow. pg.135 ↗
When you draw, you copy the world don't you? You remake it on paper, but it isn't the same. It's yours. No one else could have created it just like that. When I make poems, I use the words we all use, but the order and the sound create a new power. This wood is someone's creation. We stumble through it's tendrils, as if we're crawling through the synapses of his mind. ↗
#drawing #imagination #poems #woods #words
There is a storytelling element in there. The tango form is a little like the blues in that you have a kind of structure. It’s not as rigid as twelve bar, but it's very much a storytelling medium -- and there’s an element of call-and-response, and a particular arc in the musical form, that suggest a story. It's about being in the moment, with the music; and responding to your partner, and the particular feeling and momentum in her body in any one moment. It’s a very concentrated thing; you can’t think about anything else while you are doing it. If you try to hold a conversation, it just kind of falls apart. The music was what really drew me into tango. Everyone knows a few of the more popular tango classics, but once you get into it, there’s such a rich field. It’s astonishing, this kind of miraculous musical form that developed in a very small locality: two cities on either side of the River Plate, in Argentina and Urugauy. It started in the 1880s or '90s, and there are all kinds of mysteries, myths and stories, about how tango started and developed. It was first of all considered really low-life, almost reptilian. Something to be avoided and not talked about. And then it became this word wide phenomena. . .and I could go on talking about tango forever. . . . but its also to do with movement. I try to get that into my pictures: a sense of movement, something flowing through. A while ago, I realised how much I'd been drawing dancing figures in the corners of my sketchbooks for years before I discovered tango! ↗
Look at that," he said. "How the ink bleeds." He loved the way it looked, to write on a thick pillow of the pad, the way the thicker width of paper underneath was softer and allowed for a more cushiony interface between pen and surface, which meant more time the two would be in contact for any given point, allowing the fiber of the paper to pull, through capillary action, more ink from the pen, more ink, which meant more evenness of ink, a thicker, more even line, a line with character, with solidity. The pad, all those ninety-nine sheets underneath him, the hundred, the even number, ten to the second power, the exponent, the clean block of planes, the space-time, really, represented by that pad, all of the possible drawings, graphs, curves, relationships, all of the answers, questions, mysteries, all of the problems solvable in that space, in those sheets, in those squares. ↗
#diagrams #drawing #father #graph-paper #son
