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The paradox of vengefulness is that it makes men dependent upon those who have harmed them, believing that their release from pain will come only when they make their tormentors suffer. In seeking the Bird's death to free himself, Louie had chained himself, once again, to his tyrant. During the war, the Bird had been unwilling to let go of Louie; after the war, Louie was unable to let go of the Bird. ↗
Rush-hour on the A rain. A blind man staggers forth, his cane tapping lightly own the aisle. He leans against the door, raises a violin to chin, and says I’m sorry to bother you, folks. But please. Just listen. And it kills me, the word sorry. As if something like music should be forgiven. He nuzzles into the wood like a lover, inhales, and at the first slow stroke, the crescendo seeps through our skin like warm water, we who have nothing but destinations, who dream of light but descend into the mouths of tunnels, searching. Beads of sweat fall from his brow, making dark roses on the instrument. His head swooning to each chord exhaled through the hollow torso. The woman beside me has put down her book, closed her eyes, the baby has stopped crying, the cop has sat down, and I know this train is too fast for dreaming, that these iron jaws will always open to swallow a smile already lost. How insufficient the memory, to fail before death. how will hear these notes when the train slides into the yard, the lights turned out, and the song lingers with breaths rising from empty seats? I know I am too human to praise what is fading. But for now, I just want to listen as the train fills completely with warm water, and we are all swimming slowly toward the man with Mozart flowing from his hands. I want nothing but to put my fingers inside his mouth, let that prayer hum through my veins. I want crawl into the hole in his violin. I want to sleep there until my flesh becomes music. ↗
Very well, but - who are you?' again asked Gil Gil, in whom curiosity was beginning to get the better of every other feeling. 'I told you that when I first spoke to you - I am your friend. And bear in mind that you are the only being on the face of the earth to whom I accord the title of friend. I am bound to you by remorse! I am the cause of all your misfortunes.' 'I do not know you,' replied the shoemaker. 'And yet I have entered your house many times! Through me you were left motherless at your birth; I was the cause of the apoplectic stroke that killed Juan Gil; it was I who turned you out of the palace of Rionuevo; I assassinated your old house-mate, and, finally, it was I who placed in your pocket the vial of sulfuric acid.' Gil Gil trembled like a leaf; he felt his hair stand on end, and it seemed to him as if his contracted muscles must burst asunder. 'You are the devil!' he exclaimed, with indescribable terror. 'Child!' responded the black-robed figure in accents of amiable censure, 'what has put that idea into your head? I am something greater and better than the wretched being you have named.' 'Who are you, then?' 'Let us go into the inn and you shall learn.' Gil hastily entered, drew the Unknown before the modest lantern that lighted the apartment, and looked at him with intense curiosity. He was a person about thirty-three years old; tall, handsome, pale, dressed in a long black tunic and a black mantle, and his long locks were covered by a Phrygian cap, also black. He had not the slightest sign of a beard, yet he did not look like a woman. Neither did he look like a man... ("The Friend of Death") ↗
When it shall be desired to enlighten man, let him always have truth laid before him. Instead of kindling his imagination by the idea of those pretended goods that a future state has in reserve for him, let him be solaced, let him be succoured; or, at least, let him be permitted to enjoy the fruit of his labour; let not his substance be ravaged from him by cruel imposts; let him not be discouraged from work, by finding all his labour inadequate to support his existence, let him not be driven into that idleness that will surely lead him on to crime: let him consider his present existence, without carrying his views to that which may attend him after his death: let his industry be excited; let his talents be rewarded; let him be rendered active, laborious, beneficent, and virtuous, in the world he inhabits; let it be shown to him that his actions are capable of having an influence over his fellow men, but not on those imaginary beings located in an ideal world. ↗
I have brought peace to this land, and security," he began. "And what of your soul, when you use the cleverness of argument to cloak such acts? Do you think that the peace of a thousand cancels out the unjust death of one single person? It may be desirable, it may win you praise from those who have happily survived you and prospered from your deeds, but you have committed ignoble acts, and have been too proud to own them. I have waited patiently here, hoping that you would come to me, for if you understood, then some of your acts would be mitigated. But instead you send me this manuscript, proud, magisterial, and demonstrating only that you have understood nothing at all." "I returned to public life on your advice, madam," he said stiffly. "Yes; I advised it. I said if learning must die it should do so with a friend by its bedside. Not an assassin. ↗
My prolonged study of these photographs led me to appreciate the importance of perserving certain moments for prosperity , and as time moved forwards I also came to see what a powerful influence these framed scenes exerted over us as we went about our daily lives. To watch my uncle pose my brother a maths problem , and at the same time to see him in a picture taken thirty-two years earlier ; to watch my father scanning the newspaper and trying , with a half-smile , to catch the tail of a joke rippling across the crowded room,and at that very same moment to see a picture of him to me that my grandmother had framed and frozen these memories so that we could weave them into the present.When,in the tones ordinarily preserved for discussing the founding of a nation , my grandmother spoke of my grandfather who had died so young,and pointed at the frames on the tables and the walls , it seemed that she , likes me , was pulled in two directions , wanting to get on with life but also longing to capture the moment of perfection , savouring the ordinary life but still honouring the ideal.But even as I pondered these dilemmas-if you plucked a special moment from life and framed it , were you defying death , decay and the passage of time. or were you submitting to them ?-I grew very bored with them. pg.13 ↗
A pair of young mothers now became the centre of interest. They had risen from their lying-in much sooner than the doctors would otherwise have allowed. (French doctors are always very good about recognizing the importance of social events, and certainly in this case had the patients been forbidden the ball the might easily have fretted themselves to death.) One came as the Duchesse de Berri with l’Enfant du Miracle, and the other as Madame de Montespan and the Duc du Maine. The two husbands, the ghost of the Duc de Berri, a dagger sticking out of his evening dress, and Louis XIV, were rather embarrassed really by the horrible screams of their so very young heirs, and hurried to the bar together. The noise was indeed terrific, and Albertine said crossly that had she been consulted she would, in this case, have permitted and even encouraged the substitution of dolls. The infants were then dumped down to cry themselves to sleep among the coats on her bed, whence they were presently collected by their mothers’ monthly nannies. Nobody thereafter could feel quite sure that the noble families of Bregendir and Belestat were not hopelessly and for ever interchanged. As their initials and coronets were, unfortunately, the same, and their baby linen came from the same shop, it was impossible to identify the children for certain. The mothers were sent for, but the pleasures of society rediscovered having greatly befogged their maternal instincts, they were obliged to admit they had no idea which was which. With a tremendous amount of guilty giggling they spun a coin for the prettier of the two babies and left it at that. ↗
