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One summer evening drunk to hell I stood there nearly lifeless An old man in the corner sang Where the water lilies grow And on the jukebox Johnny sang About a thing called love And it's how are you kid and what's your name And how would you bloody know? In blood and death 'neath a screaming sky I lay down on the ground And the arms and legs of other men Were scattered all around Some cursed, some prayed, some prayed then cursed Then prayed and bled some more And the only thing that I could see Was a pair of brown eyes that was looking at me But when we got back, labeled parts one to three There was no pair of brown eyes waiting for me And a rovin' a rovin' a rovin' I'll go For a pair of brown eyes I looked at him he looked at me All I could do was hate him While Ray and Philomena sang Of my elusive dream I saw the streams, the rolling hills Where his brown eyes were waiting And I thought about a pair of brown eyes That waited once for me So drunk to hell I left the place Sometimes crawling sometimes walking A hungry sound came across the breeze So I gave the walls a talking And I heard the sounds of long ago From the old canal And the birds were whistling in the trees Where the wind was gently laughing And a rovin' a rovin' a rovin' I'll go For a pair of brown eyes ↗
Within the universe of the extraordinary, those qualities we designate to human concepts of gender are often shared, exchanged, or even completely obliterated. Because of this mixture of traits, these twins called Genius and Madness often appear to be the same thing. They both have a tendency to blur the lines of what we call norms, or established reality. They both, when we study that grand tapestry known as history and modern-day society, tend to stand out in much bolder relief than other figures. -- from Dancing with Madness, Dancing with Genius ↗
#gender-equality #genius #giftedness #good-and-evil #madness
Even if we have a reliable criterion for detecting design, and even if that criterion tells us that biological systems are designed, it seems that determining a biological system to be designed is akin to shrugging our shoulders and saying God did it. The fear is that admitting design as an explanation will stifle scientific inquiry, that scientists will stop investigating difficult problems because they have a sufficient explanation already. But design is not a science stopper. Indeed, design can foster inquiry where traditional evolutionary approaches obstruct it. Consider the term "junk DNA." Implicit in this term is the view that because the genome of an organism has been cobbled together through a long, undirected evolutionary process, the genome is a patchwork of which only limited portions are essential to the organism. Thus on an evolutionary view we expect a lot of useless DNA. If, on the other hand, organisms are designed, we expect DNA, as much as possible, to exhibit function. And indeed, the most recent findings suggest that designating DNA as "junk" merely cloaks our current lack of knowledge about function. For instance, in a recent issue of the Journal of Theoretical Biology, John Bodnar describes how "non-coding DNA in eukaryotic genomes encodes a language which programs organismal growth and development." Design encourages scientists to look for function where evolution discourages it. Or consider vestigial organs that later are found to have a function after all. Evolutionary biology texts often cite the human coccyx as a "vestigial structure" that hearkens back to vertebrate ancestors with tails. Yet if one looks at a recent edition of Gray’s Anatomy, one finds that the coccyx is a crucial point of contact with muscles that attach to the pelvic floor. The phrase "vestigial structure" often merely cloaks our current lack of knowledge about function. The human appendix, formerly thought to be vestigial, is now known to be a functioning component of the immune system. ↗
After an awkward pause, Bast extended his hand. Chronicler hesitated for a bare moment before reaching out quickly, as if he were sticking his hand into a fire. Nothing happened, both of them seemed moderately surprised. "Amazing, isn't it?" Kvothe addressed them bitingly. "Five fingers and flesh with blood beneath. One could almost believe that on the other end of that hand lay a person of some sort. ↗
#chronicler #enemies #friends #humor #kvothe
What was it you called me? Hell’s overlord who wields his lucky pen like it’s… what was that last part?” Enough! Elise’s tolerance disappeared in a sulfurous cloud of smoke. “Hell’s overlord who wields his lucky pen like it’s his staff of masculinity,” she ground out, then lowered her head and furiously pounded on the laptop’s keyboard. Luc laughed and the hairs at the nape of her neck prickled. “Staff of masculinity. How could I have forgotten that? You could have just said—” Her cheeks burned red hot. “I made that up before I knew you liked to beat your lucky pen against the desk.” He turned in his seat and smiled the smile that never failed to raise her body temperature a hundred degrees. “And it was that particular phrase which made your habit of sucking on pen caps all the more bearable.” She glared at him and his smile widened. “Don’t make me get up and come near your desk, Lucien Masters.” “Getting up and coming near my desk are the least of my worries,” he replied in a husky, Southern rumble. ↗
When women's sexuality is imagined to be passive or "dirty," it also means that men's sexuality is automatically positioned as aggressive and right-no matter what form it takes. And when one of the conditions of masculinity, a concept that is already so fragile in men's minds, is that men dissociate from women and prove their manliness through aggression, we're encouraging a culture of violence and sexuality that's detrimental to both men and women. ↗
What are world needs is not more violence, hatred and injustice that keeps consuming mankind but love,peace and justice for all of humanity to bask in. ↗
Want to know who I am? Your responses indicate that you have a normal desire to share yourself with others. However, this need is not being adequately fulfilled at present. As a result, you unconsciously attempt to treat this emptiness with momentary interests and temporary passions. If left unaddressed, this imbalance leads to impulsive behavior and unnecessary risks. Past betrayals have left you generally suspicious of others’ behavior, particularly regarding romantic relationships. You fear you may be exploited if you open yourself too fully. Consequently, you often seek some proof of a new friend’s or lover’s sincerity before you decide to trust them. Further complicating your relationships is the anxiety you have about your unfulfilled personal and professional goals. You fear that you’ve made decisions that weren’t in your own best interest, or failed to take advantage of opportunities when they presented themselves. The desire to overcome these challenges sometimes lead you to seem pushy or even arrogant. Because this competitive urge is not always apparent to others, they are often surprised by it. However, the passion that underlies your desire for success is unique. This makes you unlike others. You cannot simply accept what life has to offer; you aspire for more. Between each inhale and exhale we die and are reborn. ↗
#fear #friends #inspiration #life #love
