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If you ask me, I think Jerry Springer destroyed the public image of the USA. I mean up to early in the nineties I still imagined it like it was presented in hollywoodfilms and stuff. But then, early in the 90's they started broadcasting that freakshow in the Netherlands, and that new idea of entertainment, where you put the biggest morons you can find on screen so you can watch it and feel superior. Later on, politics also discovered the same formula. We want politicians we feel superior to. The very idea of anything being 'better' or 'higher' than us makes people extremely uncomfortable. ↗
The bloody times, the horror, will just be history to them, words on a page, so how will they dare to judge? Very easily, I should imagine. ↗
Imagine if we were capable of a form of empathy that lets us know one another by savoring the aura we leave on the things we have touched. We would go to a dump to get drunk on one another's souls. ↗
I remember the revelation it was to me when I realized I'd rather be smart in the way Elvis Presley was than in the way, say, Ludwig Wittgenstein was. The thing was, you could imagine you could be smart like Wittgenstein by just thinking hard enough, but Elvis just had it. It was almost spiritual. A kind of grace. ↗
It should be particularly stressed that the fantastic makes no sense in an out-and-out strange world. To imagine the fantastic in it is even impossible. In a world full of marvels the extraordinary loses its power. ↗
The fantastic in literature doesn't exist as a challenge to what is probable, but only there where it can be increased to a challenge of reason itself: the fantastic in literature consists, when all has been said, essentially in showing the world as opaque, as inaccessible to reason on principle. This happens when Piranesi in his imagined prisons depicts a world peopled by other beings than those for which it was created. ("On the Fantastic in Literature") ↗
