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She looked at David closely, and the feeling was still there. She could see that his forehead was too high, that a small scar cut a white stroke through his eyebrow. And his smile was pretty crooked, really. But it was as if something had changed inside Tally's head, something that had turned his face pretty to her. ↗
People who you are close with don't understand you. The people you usually lean on have changed. You rely on your other friends that you usually wouldn't tell your secretes, but still, they are there. You move away from the people you trust toward your new found trustees, and the people you called close are mad you because YOU'VE changed. So now you're confused, and now you think you've changed. Tell whoever told you that to kiss you on the cheek, and wave good-bye for good. ↗
Beatrix,” Amelia said over her shoulder as they proceeded through the hallway. “Perhaps you should reconsider your attire. Poor Captain Phelan may find it somewhat shocking.” “But he’s already seen me like this,” came Beatrix’s voice from behind Christopher, “and I’ve already shocked him. What is the point in changing clothes? Captain, would you feel more comfortable if I took my breeches off?” “No,” he said hastily. “Good, I’ll keep them on. Really, I don’t see why women shouldn’t dress like this all the time. One can walk freely and even leap. How is one to chase after a goat in skirts? ↗
...as a pianist, I can’t say I was always a big fan of contemporary music. The challenge of late Beethoven, or Mozart, or Schubert seemed to me to be somehow greater or more worthwhile than that of learning difficult, ill-placed notes. To me, the kind of transcendence in the older pieces really was more interesting. That’s not to say I didn’t love the contemporary pieces I did play. I became very attached to the ones I learned, and I played them with pleasure and absolute commitment. It may be terrible to say this, but playing some of that music is like having a handicapped child. You love it all the more for the problems that it gives you. ↗
Never forget that you are one of a kind. Never forget that if there weren't any need for you in all your uniqueness to be on this earth, you wouldn't be here in the first place. And never forget, no matter how overwhelming life's challenges and problems seem to be, that one person can make a difference in the world. In fact, it is always because of one person that all the changes that matter in the world come about. So be that one person. ↗
The heart is capable of sacrifice. So is the vagina. The heart is able to forgive and repair. It can change it's shape to let us in. It can expand to let us out. So can the vagina. It can ache for us and stretch for us, die for us and bleed and bleed us into this difficult, wondrous world. So can the vagina. I was there in the room. I remeber. ↗
If you go out into the real world, you cannot miss seeing that the poor are poor not because they are untrained or illiterate but because they cannot retain the returns of their labor. They have no control over capital, and it is the ability to control capital that gives people the power to rise out of poverty. ↗
I look at the Augusteum,and I think that perhaps my life has not actually been so chaotic, after all. It is merely this world that is chaotic, bringing changes to us all that nobody could have anticipated. The Augusteum warns me to not to get attached to any obsolete ideas about who I am, what I represent, whom I belong to, or what function I may once have intended to serve. Yesterday I might have been a glorious monument to somebody, true enough--but tomorrow I could be a fireworks depository. Even in the Eternal City, says the silent Augusteum, one must always be prepared for riotous and endless waves of transformation. ↗
