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Read through the most famous quotes by topic #han
Brannagh Maloney had lived with disappearances all her life. They were as familiar to her as the changing of the Fundy tides. People who disappeared left cast-off shadows of themselves, murky tremblings that slunk out of corners on drizzly autumn afternoons. They lurked offstage, silent or sighing or reaching out to run a finger across her arm. They were the curtains fluttering in the window on a breezeless morning, the musty scent that arose when opening an abandoned cellar door. LET THE SHADOWS FALL BEHIND YOU (Kunati Books) ↗
The more familiar acquaintance we have with God the more do we partake of him. He that passes by the fire may have some gleams of heat, but he that stands by it has his colour changed. It is not possible that a man should have any long conference with God and be no whit affected. If we are strangers to God it is no wonder that our faces become earthy. ↗
We are not past racism. It took us 500 and however many years to get us where we are; it's not gonna change in one day or in one election. We made a step maybe, which they'll try and take away from us as soon as they can. But I mean what the fuck is the Tea Party about? It's not about "tea"; it ain't about "trans", either. ↗
With me and India it's all about leaving and returning. Madras is home. It's a very complicated relationship. When you are away too long you get homesick, and when you are there too long you are sick of home. ↗
#india #madras #tishani-doshi #home
After modernism, things changed. Indeed, modernism sometimes seems to me like an equivalent of the Fall. Remember, the first thing Adam and Eve did when they ate the fruit was to discover that they had no clothes on. They were embarrassed. Embarrassment was the first consequence of the Fall. And embarrassment was the first literary consequence of this modernist discovery of the surface. "Am I telling a story? Oh my God, this is terrible. I must stop telling a story and focus on the minute gradations of consciousness as they filter through somebody's... ↗
I [Christopher Hitchens] moved into Mart's sock—where you lived was your 'sock.' Your rug was your 'hair.' Your knee was still your knee: we couldn't think of another word for it. We called our penises our 'willie winkies' and our shared lavatory 'the bog.' There were a lot of brilliantly inventive word games of that kind. What if you changed 'heart' to 'dick' in any well-known song or phrase? Bury my dick at Wounded Knee. Dick-break Hotel. Don't go breaking my dick ... They may, in retrospect, seem infantile, but they built intellectual muscle and taught us all we knew about philosophy, psychology, and other -ologies too numerous (and humorous!) to mention. It was at the time of the wholly reprehensible bombing of Cambodia. These dazzling jests were part of the reason why, when Mart and I got together, nobody felt able to leave the room, or sock-toe. A glimpse, if you will, of another era, a time when Mr. Wilde had sparred so felicitously with Mr. Whistler across their effortlessly groaning table at the imperious Cafe Royal. ↗
I stood behind the man’s chair, my blade at his throat. “Why do you do it?” I asked, knowing he wouldn’t answer. “Kill people, and blow up buildings, and sell drugs?” It was what they all did. Committed crimes. That was why I killed them. “You’re a criminal, a terrorist, a danger. And I have been asked to take you out.” I told him. I was legend now, yet he asked the same question all the others did. “What is your name?” My sensitive ears tuned out the slit as my sword cut his neck. I walked around the chair to see his face. I watched as his eyes–slowly at first–changed from blue to milky white. His skin went pale. And as I heard him take his last breath, I ducked in so my lips hovered at his ear, and whispered, “My name, is Sharden. ↗
