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I hold my finger up to his lips. He flicks his eyes down to look at it. "You're absolved," I tell him. He brings his eyes back up to mine. There's no fucking way he knows what that word means. That's a word I dream someone will say to me. So I put it in his language. "You're free. ↗
Writers don't make any money at all. We make about a dollar. It is terrible. But then again we don't work either. We sit around in our underwear until noon then go downstairs and make coffee, fry some eggs, read the paper, read part of a book, smell the book, wonder if perhaps we ourselves should work on our book, smell the book again, throw the book across the room because we are quite jealous that any other person wrote a book, feel terribly guilty about throwing the schmuck's book across the room because we secretly wonder if God in heaven noticed our evil jealousy, or worse, our laziness. We then lie across the couch facedown and mumble to God to forgive us because we are secretly afraid He is going to dry up all our words because we envied another man's stupid words. And for this, as I said, we are paid a dollar. We are worth so much more. ↗
Erlendur didn’t believe in premonitions, visions or dreams, nor reincarnation or karma, he didn’t believe in God although he’d often read the Bible, nor in eternal life or that his conduct in this world would affect whether he went to heaven or hell. He felt that life itself offered a mixture of the two. Then sometimes he experienced this incomprehensible and supernatural de´ja` -vu, experienced time and place as if he’d seen it all before, as if he stepped outside himself, became an onlooker to his own life. There was no way he could explain what it was that happened or why his mind played tricks on him like this. ↗
The most puzzling thing in the entire encounter occurred at a certain stage very late in the conversation, when she discovered she had been talking to a man. She had the feeling of a dream where things and people transmogrify, characters dissolve from one to the other like tricks in a film, monsters in a bottle. She had the sense, the very distinct sense, of her companion's female gender; she had been pleased to find it, had relaxed into it, had been even more delighted to find it coupled with an elegant wit and a sense of both joy and irony. The forces of life, she thought to herself, are flying high tonight. ↗
The Australian aborigines, reckoned to be among the most primitive of races upon evidence that is far from conclusive, have a region that is well-developed. They worship the Earth Mother, and recognise in their graceful, plaintive stories the prior existence of culture heroes as well limned as any in Valhalla. To an amazing degree they feel the reality of the metaphysical world they have created––the dream-time, which is neither a dream nor a period, or if it is a period is one which has no dimension, so that the past and the present exist together. ↗
