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Read through the most famous quotes by topic #influences
I’ve had so many influences and sources of inspiration as an illustrator that it is impossible to name just one. I loved Aubrey Beardsley when I was a student, and then Edmund Dulac and other Golden Age illustrators made a big impact, as well as Victorian painters like Richard Dadd and Edward Burne-Jones. My long-term heroes though are Albretch Durer, Brueghel, Hieronymous Bosch, Jan Van Eyck, Leonardo, Botticelli, Rembrandt, Turner and Degas. What most of them have in common is brilliant draughtsmanship and a strong linear or graphic quality. Most are also printmakers. The one I keep going back to and who fascinates me the most is JMW Turner, the greatest watercolourist. ↗
Evil influence is like a nicotine patch, you cannot help but absorb what sticks to you. ↗
#bad-company #bad-influence #evil #evil-people #evil-thoughts
Time often is forgiving and dismissive of the influences, because they recede. We look at Sgt. Pepper and we go "wow! How did they ever think that up?" but of course, if you got into Paul McCartney's bedroom, found his record collection at the time, you would find out. But the clues are gone. It's like evolution: there are certain pure situations that hang around longer, but the ones that got them there don't have time to leave fossils. We have a giraffe, we have a horse. But where's the horse with the long neck? The link species disappear. ↗
The quality of what is said inevitably influences the way in which it is said, however inexperienced the writer. ↗
When I started to draw, most of my influences were from other painters and illustrators, so I was drawing landscape at second hand, really. The trees were Rackham trees, or trees that I had seen in paintings rather than from my own observation...and I started to feel this was a real lack in my work. Everything was too generalised, and not based on real experience. Then in 1975, after having worked for some years in London as a book cover illustrator mainly, I came down to Devon and stayed with some friends up on the moor. In the course of this one weekend, wandering around the moor, finding rivers and ancient woods, I realised that everything that I would ever want to draw was actually here. There was so much richness in the texture and forms of these fantastic trees...and I decided in the course of that weekend to come and live here. I looked at a couple of houses, found one, and made an offer on it, all in that one weekend! ↗
