People from major labels were afraid to go to Black Flag gigs throughout most of the band's existence. They treated our gigs as something threatening. I'm sure that it probably was. They probably had reasons to be scared. ↗
And so many of the kinds of labels you get stuck with don't really tell the story; Progressive, Art Rock, Noise Music, Downtown - it ends up being a struggle to stay out of debates that other people are having around you. ↗
It's a radical time for musicians, a really revolutionary time, and I believe revolutions like Napster are a lot more fun than cash, which by the way we don't have at major labels anyway, so we might as well get with it and get in the game. ↗
I've pretty much run the circle of labels and dealing with that whole kind of battle, because you're the one creating the music, but you're not the final say. That's always been hard. ↗