And so many of the kinds of labels you get stuck with don't really tell the story; Progressive, Art Rock, Noise Music, Downtown - it ends up being a struggle to stay out of debates that other people are having around you. ↗
It's a radical time for musicians, a really revolutionary time, and I believe revolutions like Napster are a lot more fun than cash, which by the way we don't have at major labels anyway, so we might as well get with it and get in the game. ↗
I've pretty much run the circle of labels and dealing with that whole kind of battle, because you're the one creating the music, but you're not the final say. That's always been hard. ↗
Major labels didn't start showing up really until they smelled money, and that's all they're ever going to be attracted to is money-that's the business they're in- making money. ↗
Basically we just created our own label, but again we just did it to document our own music and create our own thing, so the major labels were just always out of our picture, we're not interested. ↗
With Napster and the sharing of music, of course, there are going to be people who exploit it. Greed has no end. But there's a lot of good that could happen. We shouldn't let the economic concerns of the major labels infringe on our freedom to share music. ↗
