I think a lot of the instincts you have doing comedy are really the same for doing drama, in that it's essentially about listening. The way I approach comedy, is you have to commit to everything as if it's a dramatic role, meaning you play it straight. ↗
See, what I don't like listening to is when writers go, 'And then the person cries.' 'Or the person does this.' It's there, but it's not the Bible. I wait and see what happens to me on the day. ↗
I said very little. I knew that for the time being I was the open air, the place to put the words, not a real interlocutor. And then, ekthout a transition of any kind, she began to tell me .... {p. 134} ↗
I tried to discover, in the rumor of forests and waves, words that other men could not hear, and I pricked up my ears to listen to the revelation of their harmony. ↗
Politicians in Washington and Madison aren't hearing, aren't listening to their constituents and prioritizing getting people back to work and growing our economy. ↗