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to be nobody-but-yourself in a world which is doing its’ best, night and day, to make you just like everybody else – means to fight the hardest battle any human being can fight; and never stop fighting. ↗
Ritzonia" was the epithet coined by Bernard Bernson, who sold Italian pictures to American millionaires, to describe the unreal, mortifying sameness of their luxury. "Ritzonia," he wrote in 1909, "carries its inmates like a wishing carpet from place to place, the same people, the same meals, the same music. Within its walls you might be at Peking or Prague or Paris or London and you would never know where. ↗
It must be dawn, and the last breath went out of this body on the table - how long before? Irretrievably gone from this world, as dead as though she had lived a thousand years ago. Men have cut the isthmus of Panama and joined the two oceans; they have bored tunnels that run below rivers; built aluminum planes that fly from Frisco to Manila; sent music over the air and photographs over wires; but never, when the heartbeat of their own kind has once stopped, never when the spark of life has fled, have they been able to reanimate the mortal clay with that commonest yet most mysterious of all processes; the vital force. And this man thinks he can - this man alone, out of all the world's teeming billions! ("Jane Brown's Body") ↗
I danced in the morning when the world was young I danced in the moon and the stars and the sun I came down from heaven and I danced on the earth At Bethlehem I had my birth Dance, dance, wherever you may be I am the lord of the dance, said he And I lead you all, wherever you may be And I lead you all in the dance, said he I danced for the scribes and the Pharisees They wouldn't dance, they wouldn't follow me I danced for the fishermen James and John They came with me so the dance went on Dance, dance, wherever you may be I am the lord of the dance, said he And I lead you all, wherever you may be And I lead you all in the dance, said he I danced on the Sabbath and I cured the lame The holy people said it was a shame They ripped, they stripped, they hung me high Left me there on the cross to die Dance, dance, wherever you may be I am the lord of the dance, said he And I lead you all, wherever you may be And I lead you all in the dance, said he I danced on a Friday when the world turned black It's hard to dance with the devil on your back They buried my body, they thought I was gone But I am the dance, and the dance goes on Dance, dance, wherever you may be I am the lord of the dance, said he And I lead you all, wherever you may be And I lead you all in the dance, said he They cut me down and I leapt up high I am the life that will never, never die I'll live in you if you'll live in me I am the Lord of the dance, said he Dance, dance, wherever you may be I am the lord of the dance, said he And I lead you all, wherever you may be And I lead you all in the dance, said he ↗
For the virtuoso, musical works are in fact nothing but tragic and moving materializations of his emotions; he is called upon to make them speak, weep, sing and sigh, to recreate them in accordance with his own consciousness. In this way he, like the composer, is a creator, for he must have within himself those passions that he wishes to bring so intensely to life. ↗
There is a striking feature of the twentieth century… the musical creation of the 20th century is qualitatively different from the 18th century, in that it lacks that immediate access or short-term access that was true of the past… I have no doubt that if we took two children of today two groups and taught one of them Mozart Haydn & Beethoven and the other Schoenberg and post Schoenbergian music, that there would be very substantial difference in their capacity to comprehend and deal with it, and that may reflect, and in fact if that’s correct it would reflect, something about our innate musical capacities. ↗
