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Read through the most famous quotes by topic #performance
Past experience with fiscal austerity at home and overseas strongly suggests that it is best for the economy's long-run performance to restrain government spending rather than raise taxes. ↗
On the right side-panel of the verbose and somewhat tautological box of Cheerios, it is written, If you are not satisfied with the quality and/or performance of the Cheerios in this box, send name, address, and reason for dissatisfaction—along with entire boxtop and price paid—to: General Mills, Inc., Box 200-A, Minneapolis, Minn., 55460. Your purchase price will be returned. It isn’t enough that there is a defensive tone to those words, a slant of doubt, an unappetizing broach of the subject of money, but they leave the reader puzzling over exactly what might be meant by the “performance” of the Cheerios. Could the Cheerios be in bad voice? Might not they handle well on curves? Do they ejaculate too quickly? Has age affected their timing or are they merely in a mid-season slump? Afflicted with nervous exhaustion or broken hearts, are the Cheerios smiling bravely, insisting that the show must go on? ↗
It is essential that we put an end to steroid abuse and set a better example for aspiring young athletes to follow, so that some day, when they make it in the All Star Game, it will be because of their own natural talents, and not because of a performance enhancing product. ↗
On the Rolling Stones - You will walk out of the Amphitheatre after watching the Stones perform and suddenly the Chicago stockyards smell clean and good by comparison. ↗
Traditions that cease to evolve render themselves irrelevant or obsolete. And what's the problem with inventing new performance practices? Are customs being slandered? Do successful alternative diminish the value of traditional ones? *The argument that musicians must embrace conventional rituals is just as perilous as unilaterally rejecting them.* ↗
#music #musicians #performance #performance-practice #traditions
For the virtuoso, musical works are in fact nothing but tragic and moving materializations of his emotions; he is called upon to make them speak, weep, sing and sigh, to recreate them in accordance with his own consciousness. In this way he, like the composer, is a creator, for he must have within himself those passions that he wishes to bring so intensely to life. ↗
The speech fascinated him. His ear caught the rhythm of it and he noted their idioms and worked some of them into his patter. He had found the reason behind the peculiar, drawling language of the old carny hands—it was a composite of all the sprawling regions of the country. A language which sounded Southern to Southerners, Western to Westerners. It was the talk of the soil and its drawl covered the agility of the brains that poured it out. It was a soothing, illiterate, earthy language. ↗
