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Read through the most famous quotes by topic #mal
എല്ലാം വീണ്ടും ആരംഭിക്കുവാന്നമ്മുക്കൊരു ഊഴം കിട്ടുന്നുവെന്ന താണ് പുതുവത്സരങ്ങളില െ സുവിശേഷം.അകന്നുപോയ ബന്ധങ്ങളെ വിളക്കി യോചിപ്പിക്കുവാന ് , മറന്നുപോയപ്രാര്ത്ഥനകളെ ഓര്ത്തെടുക്കുവ ാന് , കളഞ്ഞു പോയ സൗഹൃദങ്ങളെ വീണ്ടെടുക്കുവാന ുമൊക്കെ മറ്റൊരു ഊഴംകൂടി- "തകര്ന്ന ഹൃദയങ്ങളൊഴികെ എല്ലാം ഒട്ടിക്കുന്നു "എന്നൊരു പരസ്യമുണ്ട് . സ്നേഹത്തിന്റെ ലേപനം പുരട്ടിയാല് മതി അതും സൗഖ്യപ്പെടും ↗
#heart #love #malayalam #newyear #friendship
How can so many (white, male) writers narratively justify restricting the agency of their female characters on the grounds of sexism = authenticity while simultaneously writing male characters with conveniently modern values? The habit of authors writing Sexism Without Sexists in genre novels is seemingly pathological. Women are stuffed in the fridge under cover of "authenticity" by secondary characters and villains because too many authors flinch from the "authenticity" of sexist male protagonists. Which means the yardstick for "authenticity" in such novels almost always ends up being "how much do the women suffer", instead of - as might also be the case - "how sexist are the heroes". And this bugs me; because if authors can stretch their imaginations far enough to envisage the presence of modern-minded men in the fake Middle Ages, then why can't they stretch them that little bit further to put in modern-minded women, or modern-minded social values? It strikes me as being extremely convenient that the one universally permitted exception to this species of "authenticity" is one that makes the male heroes look noble while still mandating that the women be downtrodden and in need of rescuing. -Comment at Staffer's Book Review 4/18/2012 to "Michael J. Sullivan on Character Agency ↗
#authenticity #fantasy #femlae-agency #genre #male-privledge
Surrender your expectations. Surrender your doubts. Surrender your fears. Surrender your strengths. Surrender your anger. Surrender your control. ↗
#paranormal #paranormal-romance #vampire #yasmine-galenorn #anger
Save your explanations, I got some questions for you first and you'd better answer them!' [slurred Hellian.] 'With what?' [Banaschar] sneered. 'Explanations?' 'No. Answers. There's a difference-' 'Really? How? What difference?' 'Explanations are what people use when they need to lie. Y'can always tell those,'cause those don't explain nothing and then they look at you like they just cleared things up when really they did the opposite and they know it and you know it and they know you know and you know they know that you know and they know you and you know them and maybe you go out for a pitcher later but who picks up the tab? That's what I want to know.' 'Right, and answers?' 'Answers is what I get when I ask questions. Answers is when you got no choice. I ask, you tell. I ask again, you tell some more. Then I break your fingers, 'cause I don't like what you're telling me, because those answers don't explain nothing! ↗
Because I love you. Don't you get it? Not because Cassandra is a part of you and Coroebus is a part of me. I love you because you are Nadira. The strange beautiful Nadira. The Nadira that has such hatred for me it kills to see the anger in your eyes whenever you even glance at me. I love Nadira. Not Cassandra. I love you. ↗
