No subscription or hidden extras
Read through the most famous quotes by topic #mar
I'm not afraid of you. I'm not afraid of anything." "Yes, you are, on both counts. You're afraid of everything. In England there are castles with stone walls that go up over a hundred feet, built during a time when it was the strength of your fortress that won battles. Each time I look at you, I marvel at the feat of organic engineering that's allowed you to create such a fortification within a perfect composition of female flesh. ↗
And while there's so much wisdom that I don't know, I know that evil doesn't happen for a cosmic reason, a 'balance of good' bullshit. Evil happens because it can, because circumstances allow it to take place. And you build your own sanctuary against it to keep yourself sane, to keep yourself fighting it. ↗
The strongest drive inside of a submissive, underneath all their emotional wounds, is for the Master to push aside any curtains or walls they may have erected to separate them from their true self, the naked, vulnerable soul. Because that soul wants only one thing. Do you want to know what that is?" <…> "I don't want to know. That's not what the training's about." "Wrong. That's what submissive training is all about. Getting past those shields so she feels truly bound to her Master, a part of him as he's a part of her. The ultimate connection, where thought isn't necessary. They're together in the most elemental and perfect way there is. She stared at him. "Let me go, Tyler. I can't do this." "You can. You will. ↗
I held her in my arms last night," he said quietly. "And when I felt her every response, I thought, 'There's nothing else I could ever want.' Whether there's a Heaven or not, it doesn't matter. This…Those moments when she gave me everything were more than I ever hoped Heaven could be. ↗
She inhaled sharply as he traced the line of her neck with the warm wetness. "I'm not afraid to bleed for you, Marguerite." His voice was a rough whisper against her ear. "I'll tell The Zone you're thinking it over. Don't disappoint me. Or yourself. ↗
Masturbation is not the happiest form of sexuality, but the most advisable for him who wants to be alone and think. I detect the aroma of this pleasant vice in most philosophers, and a happily married logicians is almost a contradiction in terms. So many sages have regarded Woman as temptress because fornication often leads to marriage, which usually leads to children, which always leads to a respectable job and pretending to believe the idiocies your neighbors believe. The hypocrisy of the sages has been to conceal their timid onanism and call it celibacy. ↗
Rosa Mystica 'The rose is a mystery'--where is it found? Is it anything true? Does it grow upon the ground? It was made of earth's mould, but it went from men's eyes, And its place is a secret and shut in the skies. In the gardens of God, in the daylight divine, Find me a place by thee, mother of mine. But where was it formerly? Which is the spot That was blest in it once, though now it is not? It is Galilee's growth: it grew at God's will And broke into bloom upon Nazareth hill. In the gardens of God, in the daylight divine, I shall look on thy loveliness, mother of mine. What was its season then? How long ago? When was the summer that saw the bud blow? Two thousands of years are near upon past Since its birth and its bloom and its breathing its last. In the gardens of God, in the daylight divine, I shall keep time with thee, mother of mine. Tell me the name now, tell me its name. The heart guesses easily: is it the same? Mary the Virgin, well the heart knows, She is the mystery, she is that rose. In the gardens of God, in the daylight divine, I shall come home to thee, mother of mine. Is Mary the rose then? Mary, the tree? But the blossom, the blossom there--who can it be? Who can her rose be? It could but be One Christ Jesus our Lord, her God and her son. In the gardens of God, in the daylight divine, Show me thy son, mother, mother of mine. What was the colour of that blossom bright?-- White to begin with, immaculate white. But what a wild flush on the flakes of it stood When the rose ran in crimsonings down the cross-wood! In the gardens of God, in the daylight divine I shall worship His wounds with thee, mother of mine. How many leaves had it?--Five they were then, Five, like the senses and members of men; Five is their number by nature, but now They multiply, multiply--who can tell how? In the gardens of God, in the daylight divine Make me a leaf in thee, mother of mine. Does it smell sweet, too, in that holy place? Sweet unto God and the sweetness is grace: The breath of it bathes great heaven above In grace that is charity, grace that is love. To thy breast, to thy rest, to thy glory divine Draw me by charity, mother of mine. ↗
Supernatural fiction contains its own generic borderland: a neutral territory, which Tzvetan Todorov calls 'the fantastic,' between 'the marvelous' and 'the uncanny.' According to Todorov, 'The fantastic is that hesitation experienced by a person who knows only the laws of nature, confronting an apparently supernatural event.' Once the event is satisfactorily explained (and sometimes it is never explained), we have left the fantastic for an adjacent genre - either 'the uncanny,' where the apparently supernatural is revealed as illusory, or 'the marvelous,' where the laws of ordinary reality must be revised to incorporate the supernatural. As long as uncertainty reigns, however, we are in the ambiguous realm of the fantastic. ↗
