#mar

Ambition is all very well, my lad, but you must cloak it. ↗

— Jonathan Stroud

#amulet-of-samarkand #bartimaeus-trilogy #jonathan-stroud #ambition

I don't know the rules of grammar. If you're trying to persuade people to do something, or buy something, it seems to me you should use their language. ↗

— David Ogilvy

#grammar #humour #advertising

Drustan raked a hand through his hair and fumbled in the dark for the door. When it didn't budge, a part of him was unsurprised. Yet another part of him met the fact with a kind of glad resignation. She wanted battle? Battle she would get. It would be a pleasure to have it out with her finally. Once he'd ripped the door from the framing, he would exact vengeance upon her wee body with gleeful abandon. No more honorable I-won't-touch-you-because-I'm-betrothed. Nay he'd touch her. Any damn place and any damn way he wanted to. As many times as he wanted to. Until she begged and whimpered beneath him. She'd been trying to drive him mad? Well, he was giving in to it. He would act like the animal she made him feel like being. The hell with Anya, the hell with duty and honor, the hell with discipline. He needed to tup. Her. Now. ↗

— Karen Marie Moning

#gwen #karen-marie-moning #kiss-of-the-highlander #discipline

He goes directly to the ballroom, making his way to the center of the dance floor. He takes Celia’s arm, spinning her away from Herr Thiessen. Marco pulls her to him in an emerald embrace, so close that no one distinction remains between where his suite ends and her gown begins. To Celia there is suddenly no one else in the room as he holds her in his arms. But before she can vocalize her surprise, his lips close over hers and she is lost in wordless bliss. Marco kisses her as though they are the only two people in the world. The air swirls in a tempest around them, blowing open the glass doors to the garden with a tangle of billowing curtains. Every eye in the ballroom turns in their direction. And then he releases her and walks away. By the time Marco leaves the room, almost everyone has forgotten the incident entirely. It is replaced by a momentary confusion that is blamed on the heat or the excessive amounts of champagne. Herr Thiessen cannot recall why Celia has suddenly stopped dancing, or when her gown has shifted to its current deep green. “Is something wrong?” he asks, when he realizes that she is trembling. ↗

— Erin Morgenstern

#magic #marco-celia #blame

Then suddenly, he was struck by a powerful but simple little truth, and it was this: that English grammar is governed by rules that are almost mathematical in their strictness! ↗

— Roald Dahl

#mathematics

Monotony has nothing to do with a place; monotony, either in its sensation or its infliction, is simply the quality of a person. There are no dreary sights; there are only dreary sight seers. ↗

— G.K. Chesterton

#marshes #monotony #boredom

That's the kind of guy you'd follow to hell and back. ↗

— Richelle Mead

#marcus-finch #attraction

In Japan, a number of time-honored everyday activities (such as making tea, arranging flowers, and writing) have traditionally been deeply examined by their proponents. Students study how to make tea, perform martial arts, or write with a brush in the most skillful way possible to express themselves with maximum efficiency and minimum strain. Through this efficient, adroit, and creative performance, they arrive at art. But if they continue to delve even more deeply into their art, they discover principles that are truly universal, principles relating to life itself. Then, the art of brush writing becomes shodo—the “Way of the brush”—while the art of arranging flowers is elevated to the status of kado—the “Way of flowers.” Through these Ways or Do forms, the Japanese have sought to realize the Way of living itself. They have approached the universal through the particular. ↗

— H.E. Davey

#budo #do #efficiency #flowers #ikebana

Asscrown," I muttered under my breath as I headed to my next class. I wasn't proud of swearing at a complete stranger, no. but he started it. Noah matched my pace. "Don't you mean 'assclown'?" He looked amused. "No," I said, louder this time. "I mean asscrown. The crown on top of the asshat that covers the asshole of the assclown. The very zenith in the hierarchy of asses," I said, as though I was reading from a dictionary of modern profanity. "I guess you nailed me then. ↗

— Michelle Hodkin

#mara-dyer #noah-shaw #humour

The Viscount stepped into the room. "Came to see if you was dead," he said. "Laid Pom odds you weren't." Lethbridge passed his hand across his eyes. "I'm not," he replied in a faint voice. "No. I'm sorry," said the Viscount simply. He wandered over to the table and sat down. "Horry said she killed you, Pom said So she might, I said No. Nonsense." Lethbridge still holding a hand to his aching head tried to pull himself together. "Did you?" he said. His eyes ran over his self invited guest. "I see. Let me assure you once more that I am very much alive." "Well I wish you'd put your wig on," complained the Viscount. "What I want to know is why did Horry hit you on the head with a poker?" Lethbridge gingerly felt his bruised scalp. "With a poker was it? Pray ask her, though I doubt if she will tell you." "You shouldn't keep the front door open," said the Viscount. "What's to stop people coming in and hitting you over the head? It's preposterous." "I wish you'd go home," said Lethbridge wearily. The Viscount surveyed the supper-table with a knowing eye. "Card-party?" he inquired. ↗

— Georgette Heyer

#marriage