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Read through the most famous quotes by topic #medieval
In the Medieval poem, we are surrounded by Winter, but I always imagined the Green Chapel and the castle of Lord and Lady Bercilak in all seasons. I was quite convinced (and still am) that Gawain did not return to Camelot immediately after his initiatory encounter with the Green Knight. That's where 'The Green Knight's Apprentice' began, I think, in my imaginings of what Gawain would learn and experience after his initiation was complete ↗
#arthurian-legend #gawain #green-knight #medieval #experience
Does it make you brave to stick your hand in a bear's mouth? Would you do it again just because you didn't die? ↗
Academia: a contemporary version of medieval scholasticism that updates the scholarship while retaining the fanaticism of the dark ages. ↗
#funny #humor #medievalism #age
Danes bi dejal, da me je srednji vek privlačil zaradi dveh razlogov. Najprej zaradi poklicnih razlogov. Odločil sem postati zgodovinar po poklicu. Prakticiranje večine znanosti je brez dvoma stvar profesionalcev, strokovnjakov. Zgodovinska znanost ni tako ekskluzivna. Četudi gre po mojem mnenju za razpravo, ki je pomembna za naš čas, ko mediji omogočajo malone vsakomur pripovedovati ali pisati zgodovino v podobah ali v besedah, se ne bom lotil vprašanja kakovosti zgodovinske produkcije. Nikakršnega monopola ne zahteva za znanstvene zgodovinarje. Diletanti in vulganizatorji zgodovine so po svoje dopadljivi in koristni; njihova uspešnost pa kaže, kako močno potrebo občutijo današnji ljudje, da bi se udeleževali kolektivnega spomina. Želim si, da bi zgodovina ob tem, ko bo postala bolj znanstvena, lahko še zmeraj ostala umetnost. Če hočemo hraniti spomin ljudi, potrebujemo prav toliko okusa, stila in strasti kakor strogosti in metode. Zgodovino delamo z dokumenti in idejami, z viri in z domišljijo. ↗
#history #medieval-history #srednji-vek #umetnost #za-drugačen-srednji-vek
Amor, ch'al cor gentile ratto s'apprende prese costui de la bella persona che mi fu tolta; e 'l modo ancor m'offende. Amor, che a nullo amato amar perdona, Mi prese del costui piacer sì forte, Che, come vedi, ancor non m'abbandona..." "Love, which quickly arrests the gentle heart, Seized him with my beautiful form That was taken from me, in a manner which still grieves me. Love, which pardons no beloved from loving, took me so strongly with delight in him That, as you see, it still abandons me not... ↗
The supposedly eyewitness authority of the Pseudo-Turpin finds a parallel in another genre in which vernacular prose was pioneered: that of the historical memoir. There were twelfth-century verse histories narrated by authors who had personally participated in the events they describe, such as the Third Crusade. But the Fourth Crusade of 1202-4 saw a switch to prose. This shameful fiasco, in which the crusaders were induced to turn aside from the Holy Land and attack instead the Christian city of Constantinople, inspired two contrasting accounts. Robert de Clari--ignorant of higher-level strategy, but all agog at the splendours of Constantinople--gives a worm's eye view. Geoffroi de Villehardouin, by contrast, has a top diplomat's suave authority and a leader's eye for the aesthetics of war--the splendid sight of a fleet, or the noble heroism of a ruler. For both authors the medium of prose seems to convey the purported authenticity and transparency of lived experience. ↗
