I think in general, romantic comedies tend to take one person's point of view, but every once in a while you get something that is balanced for two people. ↗
The history of England, who has always dealt most harshly with her vanquished foe in the few European wars in which she has taken part in modern times, gives us Germans an idea of the fate in store for us if defeated. ↗
Creation implies authority in the sense of originator. The possibility of a 'Fall' is implied in a Covenant insofar as the idea of a Covenant implies the possibility of its being violated. ↗
Look: You're not gonna become a millionaire doing this, but that was never the point. And I think a lot of people in the indie film business kind of took their eye off of that. ↗
It's about avoiding reality through various escape routes that become addictions and lead to Hell. My character is addicted to television, chocolate, coffee, to her dream of her son, which has no basis in reality. ↗
Anything that happens that's good, they think, Oh, it's an accident, when is the roof caving in? You've got to get them out of that mental framework. ↗