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Read through the most famous quotes by topic #ok
I’m on a side of a road somewhere, stuck in the middle of a very deep hole, with no way of getting out. Never mind how I got in there, it’s not relevant to the story. I’ll invent a back-story… I was walking to get pizza and a chasm opened up in the earth and I fell in, and now I’m at the bottom of this hole, screaming for help. And along comes you. Now, maybe you just keep walking. You know, there’s a strange guy screaming from the center of the Earth. It’s perhaps best to just ignore him. But let’s say that you don’t. Let’s say that you stop. The sensible thing to do in this situation is to call down to me and say “I’m going to look for a ladder. I will be right back.” But you don’t do that. Instead you sit down at the edge of this abyss, and then you push yourself forward, and jump. And when you land at the bottom of the hole and dust yourself off, I’m like “What the hell are you doing?! Now there are two of us in this hole!” And you look at me and say, “Well yeah, but now I’m highly motivated to get you out.” This is what I love about novels, both reading them and writing them. They jump into the abyss to be with you where you are ↗
It has always seemed to me that if one falls in love with any gentleman one becomes instantly blind to his faults.But I am not blind to your faults, and I do not think that everything you do or say is right! Only—Is it being—not very comfortable—and cross—and not quite happy, when you aren’t there?” “That, my darling,” said his lordship,taking her ruthlessly into his arms,“is exactly what it s!” “Oh—!” Frederica gasped, as she emerged from an embrace which threatened to suffocate her. “Now I know! I am in love! ↗
When someone says "I Love You," it is imperative that you know if you are loved for "WHAT you are" or "WHO you are." When the academic qualifications, professionals, positions, possessions, good look, fat bank accounts and all that has been acquired over the years are taken away, all that is left is "Who you are" - Your Personality (character, values, perceptions.) "We are never truly loved, until we are loved for WHO and not WHAT we are ↗
#good-look #i-love-you #love #olaotan-fawehinmi #perceptions
I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind’s door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be… ↗
One of the many things I love about bound books is their sheer physicality. Electronic books live out of sight and out of mind. But printed books have body, presence. Sure, sometimes they'll elude you by hiding in improbable places: in a box full of old picture frames, say, or in the laundry basket, wrapped in a sweatshirt. But at other times they'll confront you, and you literally stumble over some tomes you hadn't thought about in weeks or years. I often seek electronic books, but they never come after me. They may make me feel, but I can't feel them. They are all soul with no flesh, no texture, and no weight. They can get in your head but can't whack you upside it. ↗
I love so many books and authors that it's hard to name just a few, but I'm always particularly excited when new books by Alice Hoffman, John Crowley, Joanne Harris, Elizabeth Knox, and Patricia McKillip come out. (And, of course, books by Ellen [Kushner], and Holly [Black], and the rest of the Bordertown crew!) I'm impatiently looking forward to Susanna Clarke's next book too. Aside from writing and reading, my favorite things to do are paint, walk in the countryside with my dog, and listen to music -- especially when it's live and it's played by friends. Fortunately there's a lot of live music where I live. ↗
A local phrase book, entitled Speak in Korean, has the following handy expressions. In the section 'On the Way to the Hotel': 'Let's Mutilate US Imperialism!' In the section 'Word Order': 'Yankees are wolves in human shape—Yankees / in human shape / wolves / are.' In the section 'Farewell Talk': 'The US Imperialists are the sworn enemy of the Korean people.' Not that the book is all like this—the section 'At the Hospital' has the term solsaga ('I have loose bowels'), and the section 'Our Foreign Friends Say' contains the Korean for 'President Kim Il Sung is the sun of mankind.' I wanted a spare copy of this phrase book to give to a friend, but found it was hard to come by. Perhaps this was a sign of a new rapprochement with the United States, or perhaps it was because, on page 46, in the section on the seasons, appear the words: haemada pungnyoni dumnida ('We have a bumper harvest every year'). ↗
#famine #imperialism #kim-il-sung #korean-language #language
No" she jerked back, stared up at him. Her eyes were like thunderclouds. He'd never seen them like that. Shock and fear filled them. Her face was paper white. Her body shuddering. "Don't you leave me!" She gripped his shirt and tried to shake him, tears falling from her eyes. "Don't you leave Noah." His head lowered. He touched her lips with his and knew this woman held the best part of him. The memories of the husband he had been, the man he had been. He couldn't destroy that. He refuse to. He pushed her to Jordan slowly, loath to let her go. To release her. Knowing that releasing her was the only way to save the memories she held. "Don't you leave!" She screamed the order, eyes blazing, her lips trembling as tears fell and hysteria threatened to overwhelm her. "If you leave me, Noah Blake, if you don't come back when this is over, don't bother coming back at all. He touched her cheek. Ran his thumb over her lips. "You are the best part of me," he whispered. "Always remember that, Sabella. The best part of me." Before she could grab him, hold him to her, he pulled away, grabbed one of the rifles Mike had set on the table across the room. And left. ↗
#impossible-love #leaving #lora-leigh #nathan-malone #noah-blake
No" she jerked back, stared up at him. Her eyes were like thunderclouds. He'd never seen them like that. Shock and fear filled them. Her face was paper white. Her body shuddering. "Don't you leave me!" She gripped his shirt and tried to shake him, tears falling from her eyes. "Don't you leave Noah." His head lowered. He touched her lips with his and knew this woman held the best part of him. The memories of the husband he had been, the man he had been. He couldn't destroy that. He refuse to. He pushed her to Jordan slowly, loath to let her go. To release her. Knowing that releasing her was the only way to save the memories she held. "Don't you leave me!" She screamed the order, eyes blazing, her lips trembling as tears fell and hysteria threatened to overwhelm her. "If you leave me, Noah Blake, if you don't come back when this is over, don't bother coming back at all. He touched her cheek. Ran his thumb over her lips. "You are the best part of me," he whispered. "Always remember that, Sabella. The very best part of me." Before she could grab him, hold him to her, he pulled away, grabbed one of the rifles Mike had set on the table across the room. And left.” ― Lora Leigh, Wild Card ↗
#broken-hearted #impossible-love #leaving #nathan-malone #noah-blake
