I wasn't involved, except to the degree that they sent me drafts of the script as the writer turned them in. They asked me at one point to write a memo about what I thought of it. ↗
It's often wrong to write for specific actors because one ends up using what is least interesting about them, their mannerisms and habits. I prefer not to write for specific people. ↗
It's the story of an American who wants to become a dictator and goes to Europe with a sidekick to interview various Fascists to find out how the Nazis and Mussolini got into power. ↗
And luckily, therefore the good old days return. The traditional art of driving counts again, and it is all about good tactics, skills and reflexes instead of simple power. ↗
The fact that it wasn't tells me that we've got a much more fundamental problem of understanding what went wrong, and we've got to figure out what was there. And that's what I call fundamental fault analysis. ↗
Sometimes you have trouble because someone 'likes' your music so much. They follow you around for hours singing little bits of the songs, or just freaking out. ↗