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#poet

Read through the most famous quotes by topic #poet




I'm not a great poetry fan. ↗


— Rupert Everett


#great #i #poetry

Poetry is emotion put into measure. The emotion must come by nature, but the measure can be acquired by art. ↗


— Thomas Hardy


#art #come #emotion #into #measure

Anybody in the next centuries wanting to know what it was like to be a poet in the middle of the 20th century should read Kaddish. ↗


— Leslie Fiedler


#anybody #centuries #century #know #like

In this brief transit where the dreams cross The dreamcrossed twilight between birth and dying (Bless me father) though I do not wish to wish these things From the wide window towards the granite shore The white sails still fly seaward, seaward flying Unbroken wings And the lost heart stiffens and rejoices In the lost lilac and the lost sea voices And the weak spirit quickens to rebel For the bent golden-rod and the lost sea smell Quickens to recover The cry of quail and the whirling plover And the blind eye creates The empty forms between the ivory gates And smell renews the salt savour of the sandy earth This is the time of tension between dying and birth The place of solitude where three dreams cross Between blue rocks But when the voices shaken from the yew-tree drift away Let the other yew be shaken and reply. ↗


— T.S. Eliot


#poetry #religion #dreams

Faith is the poetry of our dreams; action is the builder of our reality. ↗


— Steve Maraboli


#builder #dreams #faith #inspirational #life

In a cage of wire-ribs The size of a man’s head, the macaw bristles in a staring Combustion, suffers the stoking devils of his eyes. In the old lady’s parlour, where an aspidistra succumbs To the musk of faded velvet, he hangs in clear flames, Like a torturer’s iron instrument preparing With dense slow shudderings of greens, yellows, blues, Crimsoning into the barbs: Or like the smouldering head that hung In Killdevil’s brass kitchen, in irons, who had been Volcano swearing to vomit the world away in black ash, And would, one day; or a fugitive aristocrat From some thunderous mythological hierarchy, caught By a little boy with a crust and a bent pin, Or snare of horsehair set for a song-thrush, And put in a cage to sing. The old lady who feeds him seeds Has a grand-daughter. The girl calls him ‘Poor Polly’, pokes fun. ’Jolly Mop.’ But lies under every full moon, The spun glass of her body bared and so gleam-still Her brimming eyes do not tremble or spill The dream where the warrior comes, lightning and iron, Smashing and burning and rending towards her loin: Deep into her pillow her silence pleads. All day he stares at his furnace With eyes red-raw, but when she comes they close. ’Polly. Pretty Poll’, she cajoles, and rocks him gently. She caresses, whispers kisses. The blue lids stay shut. She strikes the cage in a tantrum and swirls out: Instantly beak, wings, talons crash The bars in conflagration and frenzy, And his shriek shakes the house. ↗


— Ted Hughes


#dreams

There is no scientific discoverer, no poet, no painter, no musician, who will not tell you that he found ready made his discovery or poem or picture - that it came to him from outside, and that he did not consciously create it from within. ↗


— William Kingdon Clifford


#consciously #create #did #discoverer #discovery

A true poet does not bother to be poetical. Nor does a nursery gardener scent his roses. ↗


— Jean Cocteau


#bother #does #gardener #his #nor

Take a commonplace, clean it and polish it, light it so that it produces the same effect of youth and freshness and originality and spontaneity as it did originally, and you have done a poet's job. The rest is literature. ↗


— Jean Cocteau


#commonplace #did #done #effect #freshness

A poet ought not to pick nature's pocket. Let him borrow, and so borrow as to repay by the very act of borrowing. Examine nature accurately, but write from recollection, and trust more to the imagination than the memory. ↗


— Samuel Taylor Coleridge


#act #borrow #borrowing #examine #him






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