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We feared that the music which had given us sustenance was in danger of spiritual starvation. We feared it losing its sense of purpose, we feared it falling into fattened hands, we feared it floundering in a mire of spectacle, finance, and vapid technical complexity. We would call forth in our minds the image of Paul Revere, riding through the American night, petitioning the people to wake up, to take up arms. We too would take up arms, the arms of our generation, the electric guitar and the microphone. ↗
Oh, come on Em." He stopped walking and looked me in the eyes. His own were dark and shiny. "You know how I feel about you," he muttered. "I do?" He stepped closer and whispered, "When you're around, music plays in my head." My eyes welled. "Music," I repeated softly. "Well, you know." He grinned. "It's the Jaws theme. Da dum. Da dum. ↗
...Stop blaming me, thinking I'm the problem. If you think I'm the problem, then you have to change me. If you realize that you're the problem, then you can change yourself, learn something and grow wiser. Most people want everyone else in the world to change themselves. Let me tell you, it's easier to change yourself than everyone else. ↗
For the most basic assumption that dictated my early attempts to respond to creative music commentary was the mistaken belief that western journalists had some fundamental understanding of black creativity—or even western creativity—but this assumption was seriously in error. ↗
