We knew we did not want to record at Impulse Studios again, after the experience of recording in a 'real' studio in London for the Radio One session we did. ↗
My father came from an intellectual and studious avenue as opposed to a brawler's avenue. So I had to go further afield and I brought all kinds of unscrupulous oiks back home - earless, toothless vagabonds - to teach me the arts of the old bagarre. ↗
I made many studio albums and I think the danger of studio recording is that if you do not watch out, you come out with a perfectly sterile performance. ↗
I was in the studio so much, it was about the search for air in a metaphoric sense, and the breathing has more to do with travel for me, about the search musically for open air. ↗
You know, they just don't make big movie stars the way they used to, maybe because the system has changed, the studio system, but it's sad to see people like Jimmy Stewart go, all the giants of the past. ↗
It's all false pressure; you put the heat on yourself, you get it from the networks and record companies and movie studios. You put more pressure on yourself to make everything that much harder. ↗
There was absolutely no intention of splitting up. We had so many great ideas to use on the new album. John Paul Jones was incredible, coming to the studio each day with new instruments to play. ↗
I like making black and white films in natural surroundings, but I much prefer shooting a color film inside a studio where the colors are easier to control. ↗
All of my books have the potential to become movies, it's just a question of finding a studio who wants to get behind me and put up the money to make the movie. ↗