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I kept thinking how they were all names of dead people, and how names are basically the only thing dead people keep. ↗
So you are tired of your life, young man! All the more reason have you to live. Anyone can die. A murderer has moral force enough to jeer at his hangman. It is very easy to draw the last breath. It can be accomplished successfully by a child or a warrior. One pang of far less anguish than the toothache, and all is over. There is nothing heroic about it, I assure you! It is as common as going to bed; it is almost prosy. Life is heroism, if you like; but death is a mere cessation of business. And to make a rapid and rude exit off the stage before the prompter gives the sign is always, to say the least of it, ungraceful. Act the part out, no matter how bad the play. What say you? ↗
Let's suppose that you want to say, "I am a jerk." IN the 18th century, you would have to go around person to person and utter the phrase individually to each one of them. However, here in the third millennium, with our advances in telephone communication, it is possible to say "I am a jerk" to a thousand people at a time by forgetting to turn off your cell phone and having it ring during a performance of Death of a Salesman. ↗
Certainly, the terror of a deserted house swells in geometrical rather than arithmetical progression as houses multiply to form a city of stark desolation. The sight of such endless avenues of fishy-eyed vacancy and death, and the thought of such linked infinities of black, brooding compartments given over to cob-webs and memories and the conqueror worm, start up vestigial fears and aversions that not even the stoutest philosophy can disperse. ↗
Twas something else. I had come to hate her, you see. I had come to wish her dead, and that was what held me back. ↗
Octave staggered to his feet, his stick swinging back to point toward Nicholas. He felt a wave of heat and saw spellfire crackle along the length of polished wood, preparing itself for another explosive burst. Crack was moving toward Octave, but Madeline shouted, "Get back!" Nicholas ducked, as a shot exploded behind him. Octave fell backward on the carpet and the blue lightning flared once and vanished with a sharp crackle. Nicholas looked at Madeline. She stepped forward, holding a small double-action revolver carefully and frowning down at the corpse. He said, "I wondered what you were waiting for." "You were in my line of fire, dear," she said, preoccupied. "But look. ↗
