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XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came. ↗
I've always said "Writer's Block" is a myth. There is no such thing as writer's block, only writers trying to force something that isn't ready yet. Sometimes I don't write for weeks. And then all of the sudden I'll get a rush of inspiration and you can't drag me away from my notebook. But I don't stress out if I don't hit some arbitrary word count each day or if I go a few days without writing something. ↗
But most of all I was inspired by the stirring examples of all the other runners. In some pictures they would seem like tiny dots in a mosaic, but each had a separate narrative starting a few months or a lifetime earlier and finishing that day in the New York City Marathon, the race with 37,000 stories. ↗
Policeman says, "Son you can't stay here" I said, "There's someone I'm waiting for if it's a day, a month, a year" Gotta stand my ground even if it rains or snows If she changes her mind this is the first place she will go ↗
How often ... do we pass by a need, a life that could be changed with the smallest bit of effort? And it's not that we don't care but that we're driving so fast, all we see are the fence posts flashing by on the side of the highway? Maybe the first step in changing the world is in slowing down and looking through the fences. ↗
In reference to the search for Lincoln's killers as it took to the Maryland swamps: "The method of searching the swamps is simple yet arduous. First, the troops assemble on the edge of bogs with names like Allen’s Creek, Scrub Swamp, and Atchall’s Swamp, standing at loose attention in the shade of a thick forest of beech, dogwood, and gum trees. Then they form two lines and march straight forward, from one side to the other. As absurd as it seems to the soldiers, marching headlong into cold mucky water, there is no other way of locating Booth and Herold. Incredibly, eighty-seven of these brave men will drown in their painstaking weeklong search for the killers. ↗
And now, because of a song, Vimes, a simple piece of music, Vimes, soft as a breath, stranger than a mountain, some very powerful states have agreed to work together to heal the problems of another autonomous state and, almost as collateral, turn some animals into people at a stroke. ↗
Things were changing; I was changing. All swelling limbs and sweating brain, suddenly I had more body than I knew what to do with. Arms and legs became the prey of low desktops and narrow corridors, were ambushed by sharp corners. Mr Baxter ignored my plight. Bodies were inimical to mathematics, or so we were led to believe. Bad hair, acrid breath, lumpy skin, all vanished for an hour every Tuesday and Thursday. Young minds in the buff soared into the sphere of pure reason. Pages turned to parallelograms; cities, circumferences; recipes, ratios. Shorn of our bearings, we groped our way around in this rarefied air. ↗
