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Read through the most famous quotes by topic #then
Civilization has given us enormous successes: going to the moon, technology. But then this is the civilisation that took us to debt, environmental crisis, every single crisis. We need a civilization where we say goodbye to these things. ↗
Children tease each other because you're short or you're tall or you're a redhead or because you're ugly or because you're smart or because you're dumb or all kinds of differences and as parents we have to deal with that and strengthen our children to be comfortable with themselves and also to show empathy and acceptance towards others. ↗
#also #because #children #comfortable #deal
She studied me with concern. She touched the new streak of gray in my hair that matched hers exactly—our painful souvenir from holding Atlas's burden. There was a lot I'd wanted to say to Annabeth, but Athena had taken the confidence out of me. I felt like I'd been punched in the gut. I do not approve of your friendship with my daughter. "So," Annabeth said. "What did you want to tell me earlier?" The music was playing. People were dancing in the streets. I said, "I, uh, was thinking we got interrupted at Westover Hall. And… I think I owe you a dance." She smiled slowly. "All right, Seaweed Brain." So I took her hand, and I don't know what everybody else heard, but to me it sounded like a slow dance: a little sad, but maybe a little hopeful, too. ↗
How can so many (white, male) writers narratively justify restricting the agency of their female characters on the grounds of sexism = authenticity while simultaneously writing male characters with conveniently modern values? The habit of authors writing Sexism Without Sexists in genre novels is seemingly pathological. Women are stuffed in the fridge under cover of "authenticity" by secondary characters and villains because too many authors flinch from the "authenticity" of sexist male protagonists. Which means the yardstick for "authenticity" in such novels almost always ends up being "how much do the women suffer", instead of - as might also be the case - "how sexist are the heroes". And this bugs me; because if authors can stretch their imaginations far enough to envisage the presence of modern-minded men in the fake Middle Ages, then why can't they stretch them that little bit further to put in modern-minded women, or modern-minded social values? It strikes me as being extremely convenient that the one universally permitted exception to this species of "authenticity" is one that makes the male heroes look noble while still mandating that the women be downtrodden and in need of rescuing. -Comment at Staffer's Book Review 4/18/2012 to "Michael J. Sullivan on Character Agency ↗
#authenticity #fantasy #femlae-agency #genre #male-privledge
I can't say that I'm always writing in my head but I do spend a lot of time in my head writing or coming up with ideas. And what I do usually is write the music and melody and then, you know, maybe the basic idea. But when I feel that I don't have a song or just say, God, please give me another song. And I just am quiet and it happens. ↗
#am #another #basic #basic idea #coming
