#tin

I get strength from my art - all the paintings I own are powerful. ↗

— Madonna Ciccone

#get #i #own #paintings #powerful

To come in and win three races already this year and maybe set a record by winning four is pretty unique. But guys like Mark Martin, Rusty Wallace and these guys are not wanting that to happen. ↗

— Dale Earnhardt

#come #four #guys #happen #like

Even though Rush is not me and the situations were very different, I think, in the Rush Limbaugh thing, ESPN was criticized for not acting, and you remember that after a couple days of controversy over Rush. ↗

— Gregg Easterbrook

#after #controversy #couple #criticized #days

I'm working seven days a week in the fall. I couldn't possibly keep that up. This is only for the fall. In the last couple of years I've tended to do most of my serious writing in the winter, when there's nothing going on with football. ↗

— Gregg Easterbrook

#days #fall #football #going #i

I'm fighting for the heart and soul of the Republican Party and I think if I win this campaign that people will take notice and the next time they select a candidate, they will look at the principles. ↗

— Doug Hoffman

#candidate #fighting #heart #i #i think

The most intense conflicts, if overcome, leave behind a sense of security and calm that is not easily disturbed. It is just these intense conflicts and their conflagration which are needed to produce valuable and lasting results. ↗

— Carl Jung

#calm #conflicts #disturbed #easily #intense

I love the way folktale and fantasy tap into the roots of story telling. The paradox, for me, is that by moving a story into the fantastic we can actually bring it closer to the reader, not move it further away. It is more than an escape. When we read of the only daughter of a fisherman (or the third son of a woodcutter) in a fairy tale, we are all that character. That's the underlying pulse beat of such tales. Using the fantastic as a prism for the past, if done properly, removes the tale from distancing specificity. It can't just be read as unique to a time and place; it is universalized in interesting, powerful ways. When I wrote Tigana, about the way tyranny tries to erase identity in conquered peoples, the fantasy setting seems to have done exactly that: I'm asked in places ranging from Korea to Poland to Croatia to Quebec, "Were you writing about us?" I was. All of them. That is the point. The fantastic is a tool in the writer's arsenal, as potentially powerful as any there is, and any tool we have works to the benefit of the reader. (Author's Note) ↗

— Guy Gavriel Kay

#fantasy #folktale #writing #experience

I am Tina Yothers and I'll never be anyone different. ↗

— Tina Yothers

#anyone #different #i #i am #never

I know the only reason that I haven't gotten many good parts is because I am Latin - and they tell it to my face a lot of times. ↗

— Salma Hayek

#because #face #good #good parts #gotten

People often say that 'beauty is in the eye of the beholder,' and I say that the most liberating thing about beauty is realizing that you are the beholder. This empowers us to find beauty in places where others have not dared to look, including inside ourselves. ↗

— Salma Hayek

#beauty #beholder #dared #empowers #eye