No subscription or hidden extras
Read through the most famous quotes by topic #tone
I've found that good dialogue tells you not only what people are saying or how they're communicating but it tells you a great deal - by dialect and tone, content and circumstance - about the quality of the character. ↗
The desire to know the future gnaws at our bones. That is where it started, and might have ended, years ago. I had cast the stones, seeing their faces flicker and fall: Death, Love, Murder, Treachery, Hope. We are a treacherous people - half of our stones show betrayal and violence and death from those close, death from those far away. It is not so with other peoples. I have seen other sets that show only natural disasters: death from sickness, from age, the pain of a broken heart, loss in childbirth. And those stones are more than half full with pleasure and joy and plain, solid warnings like "You reap what you sow" and "Victory is not the same as satisfaction." Of course, we live in a land taken by force, by battle and murder and invasion. It is not so surprising that our stones reflect our history. ↗
Whether or not you employ humor in dealing with difficult subjects, the tone of the writing is of the utmost importance. Personally, I can read about almost any subject if I feel a basic trust in, and respect for, the writer. The voice must have authority. But more than that, I must know that the writer is all right. If she describes a suicide attempt or a babysitter's cruelty to her, or a time of acute loneliness, I need to feel that the writer, not the character who survived the experience, is in control of telling the story....The tone of such pieces may be serious, ironic, angry, sad, or almost anything except whiny. There must be no hidden plea for help - no subtle seeking of sympathy. The writer must have done her work, made her peace with the facts, and be telling the story for the story's sake. Although the writing may incidentally turn out to be another step in her recovery, that must not be her visible motivation: literary writing is not therapy. Her first allegiance must be to the telling of the story and I, as the reader, must feel that I'm in the hands of a competent writer who needs nothing from me except my attention. ↗
THE BODY of BENJAMIN FRANKLIN Printer like the cover of an old book, its contents torn out, and stripped of its lettering and gilding lies here, food for worms; Yet the work itself shall not be lost, For it will (as he believed) appear once more, in a new, and more beautiful edition, corrected and amended By The AUTHOR ↗
Texas is now a cornerstone of the electoral college for Republicans. ↗
#cornerstone #electoral #electoral college #now #republicans
Sometimes we carry unhappy feelings about past hurts too long. We spend too much energy dwelling on things that have passed and cannot be changed. We struggle to close the door and let go of the hurt. If, after time, we can forgive whatever may have caused the hurt, we will tap 'into a life-giving source of comfort' through the Atonement, and the 'sweet peace' of forgiveness will be ours ("My Journey to Forgiving," Ensign, Feb. 1997. 43). Some injuries are so hurtful and deep that healing comes only with help from a higher power and hope for perfect justice and restitution in the next life. . . . You can tap into that higher power and receive precious comfort and sweet peace. ↗
Oh, God, I would give anything to change the past,” he gasped. “To make it so that the last thing you saw was not me walking away from you. In your memories I am forever one and twenty, and cocky, and sneering, and looking self-righteous. And I’ve changed, Beth,” he gasped, choking on a sob he could not hide. “I want so damn much for you to see how I’ve changed. To see me now. There are no lies in my eyes. No motives other than to show you that I am not the callous man I was. And that I love you…. I love you so damn much.” He was crying. The tears trickled unchecked down his cheeks, dripping onto his lips. She touched them, wiped them away, which only caused them to spill faster and harder. ↗
