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Read through the most famous quotes by topic #tory
...I believe that nothing that once was can be completely undone. Even if destroyed in the material world and forgotten by men, it remains and will remain alive in the memory of an infinite being for which the past as well as the future is always present, and that is thus the greatest, the only true historian, and the keeper of the eternal tradition of which even our best human traditions ...are but shadows and images. ↗
#men
The people who'd made the system thus were jealous, not of money and not of power but of story. If their employees came home at day's end with interesting stories to tell, it meant that something had gone wrong: a blackout, a strike, a spree killing. The Powers That Be would not suffer others to be in stories of their own unless they were fake stories that had been made up to motivate them. ↗
In 1914, Franz Ferdinand, the Austrian imperial heir, was shot and killed by a Serbian nationalist in Sarajevo. Do you know the motive behind the act? It was in retaliation for the subjugation of the Sebs in Austria. It was not.Franz Ferdinand had stated his intention to introduce reforms favorable to the Serbs in his empire. Had he survived to ascend the throne, he would have made a revolution unnecessary. In plain terms, he was killed because he was going to give the rebels what they were shouting for. They needed a despot in the palace in order to seize it. What's good for reform is bad for the reformers ↗
It follows that the one thing we should not do to the men and women of past time, and particularly if they ghost through to us as larger than life, is to take them out of their historical contexts. To do so is to run the risk of turning them into monsters, whom we can denounce for our (frequently political) motives—an insidious game, because we are condemning in their make-up that which is likely to belong to a whole social world, the world that helped to fashion them and that is deviously reflected or distorted in them. Censure of this sort is the work of petty moralists and propagandists, not historians (p. 5). ↗
So the question is, what can I do to motivate you, Polly?” She eyes me salaciously and I drop my gaze, unable to return the intensity. Gently, she uses one finger to lift my chin and make my eyes meet her own. They are a vivid blue and alive with desire for me. The air around us is charged and the tension is palpable. My soaking pussy is a testament to how much I already want her… “Well?” she asks, breaking my train of thought. I gaze at her face; just a few inches from mine. “I – I’ve never done this before…” “Done what Polly?” Rachel chides, removing her finger. I miss the contact immediately and am rueful to have upset her. She raises one eyebrow at me. “Thought about what motivates you?” she asks, sardonically. “I’ve never been like this… with a woman, I mean…” She rises from the sofa in one fluid movement and stands above me. “Kneel Polly.” Surprised by the order, I blink at her before I respond. “Excuse me?” Rachel smiles at me. “Get. On. Your. Knees,” she says, articulating each word, and pointing to the floor in front of her. “I am going to find a way to motivate you. ↗
[on Purgatory] It is, of course, open to anyone to say that the whole idea is morbid and exaggerated--open even to those who think nothing of queuing for twenty-four hours in acute discomfort to see the first night of a musical comedy, which lasts three hours at most, which they are not sure of liking when they get there, and which they could see any other night with no trouble at all. ↗
