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Griffin leaned across the desk, his arms braced on the now-clear top, and stared into Wakefield’s outraged eyes. “We seem to be under a confusion of communication. I did not come here to ask for your sister’s hand. I came to tell you I will marry Hero, with or without your permission, Your Grace. She has lain with me more than once. She may well be carrying my child. And if you think that I’ll give up either her or our babe, you have not done nearly enough research into my character or history. ↗
But only part of him was listening. Another part, even if it hadn't read Chomsky or Jung or Sheldrake—who had time for dead guys anyway?— at least had a basic understanding of what those guys had gone on about. Quantum nonlocality, quantum consciousness—Desjardins had seen too many cases of mass coincidence to dismiss the idea that nine billion human minds could be imperceptibly interconnected somehow. He’d never really thought about it much, but on some level he’d believed in the Collective Unconscious for years. He just hadn’t realized that the fucking thing had a death wish. ↗
When individuals and communities do not govern self, they risk being ruled by external forces that care less about the well-being of the village. ↗
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So you are tired of your life, young man! All the more reason have you to live. Anyone can die. A murderer has moral force enough to jeer at his hangman. It is very easy to draw the last breath. It can be accomplished successfully by a child or a warrior. One pang of far less anguish than the toothache, and all is over. There is nothing heroic about it, I assure you! It is as common as going to bed; it is almost prosy. Life is heroism, if you like; but death is a mere cessation of business. And to make a rapid and rude exit off the stage before the prompter gives the sign is always, to say the least of it, ungraceful. Act the part out, no matter how bad the play. What say you? ↗
