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Read through the most famous quotes by topic #wild
A brick could have been used as a father figure in place of my dad when I was growing up, because a brick may be dumb, but at least it isn’t dumb and interfering in its absence. By not being a part of my life, my dad became a big part of my life, because my thoughts were influenced by his image and infused with fantasy as I attempted to alter the reality that he wanted little to do with me. And what else would you call not wanting to be a part of your son’s life but dumb? So this Father’s Day, I’m drinking to the dad I never had—a brick. ↗
#brick-and-blanket-iq-test #brick-and-blanket-responses #brick-and-blanket-test #brick-and-blanket-uses #funny
A brick could be used to build a color theory that red objects encapsulate rage. Don’t believe me? Think of all the red objects that inspire hate: stop lights, Nazi swastikas, and tomato juice. ↗
#brick-and-blanket-iq-test #brick-and-blanket-responses #brick-and-blanket-test #brick-and-blanket-uses #funny
A brick could be used to aid the lonely. Carry it with you, converse with it, and if you drink enough, you can even make love to it. ↗
#brick-and-blanket-iq-test #brick-and-blanket-responses #brick-and-blanket-test #brick-and-blanket-uses #funny
Valkyrie walked to the back door, which hadn't been closed properly, shut it and locked it. There was now a baby in the house, after all. She couldn't take the chance that a wild animal might wander in and make off with Alice, like those dingoes in Australia. She was probably being unfair to both dingoes and Australia, but she couldn't risk it. Locked doors kept the dingoes out, and that's all there was to it, even if she didn't know what a dingo actually was. She took out her phone, searched the Internet, found a picture of a baby dingo and now she really wanted a baby dingo for a pet. ↗
She wasted and grew so thin that she no longer was a little girl, but the shadow of a little girl. The flame of her life flickered so faintly that it appeared sufficient to blow at it to extinguish it. Stas understood that death did not have to wait for a third attack to take her and he expected it any day or any hour. ↗
… the countryside and the village are symbols of stability and security, of order. Yet they are also, as I have noted, liminal spaces, at a very narrow remove from the atavistic Wild. Arcadia is not the realm even of Giorgione and of Claude, with its cracked pillars and thunderbolts, its lurking banditti; still less is it Poussin’s sun-dappled and regularised realm of order, where, although the lamb may be destined for the altar and the spit, all things proceed with charm and gravity and studied gesture; least of all is it the degenerate and prettified Arcady of Fragonard and Watteau, filled with simpering courtier-Corydons, pallid Olympians, and fat-arsed putti. (It is only family piety that prevents me from taking a poker to an inherited coffee service in gilt porcelain with bastardised, deutero-Fragonard scenes painted on the sides of every damned thing. Cue Wallace Greenslade: ‘… “Round the Horne”, with Marie Antoinette as the dairymaid and Kenneth Williams as the manager of the camp-site….’) No: Arcadia is the very margin of the liminal space between the safe tilth and the threatening Wild, in which Pan lurks, shaggy and goatish, and Death proclaims, from ambush, et in Arcadia ego. Arcadia is not the Wide World nor the Riverbank, but the Wild Wood. And in that wood are worse than stoats and weasels, and the true Pan is no Francis of Assisi figure, sheltering infant otters. The Wild that borders and penetrates Arcady is red in tooth and claw. ↗
For a moment I am jealous: He has grown up here, fearless, happy. Perhaps he will never even know about the world on the other side of the fence, the real world. For him there will be no such thing. But there will also be no medicine for him when he is sick, and never enough food to go around, and winters so cold the mornings are like a punch in the gut. And someday-unless the resistance succeeds and takes the country back-the planes and the fires will find him. Someday the eye will turn in this direction, like a laser beam, consuming everything in its path. Someday all the Wilds will be razed, and we will be left with a concrete landscape, a land of pretty houses and trim gardens and planned parks and forests, and a world that works as smoothly as a clock, neatly wound: a world of metal and gears, and people going tick-tick-tick to their deaths. ↗
#resistance #wilds #death
Is a picture really worth a thousand words? What thousand words? A thousand words from a lunatic, or a thousand words from Nietzsche? Actually, Nietzsche was a lunatic, but you see my point. What about a thousand words from a rambler vs. 500 words from Mark Twain? He could say the same thing quicker and with more force than almost any other writer. One thousand words from Ginsberg are not even worth one from Wilde. It’s wild to declare the equivalency of any picture with any army of 1,000 words. Words from a writer like Wordsworth make you appreciate what words are worth. ↗
I think people who don't know the woods very well sometimes imagine it as a kind of undifferentiated mass of greenery, an endless continuation of the wall of trees they see lining the road. And I think they wonder how it could hold anyone's interest for very long, being all so much the same. But in truth I have a list of a hundred places in my own town I haven't been yet. Quaking bogs to walk on; ponds I've never seen in the fall (I've seen them in the summer - but that's a different pond). That list gets longer every year, the more I learn, and doubtless it will grow until the day I die. So many glades; so little time. ↗
