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Read through the most famous quotes by topic #write
I remember when your name was just another name that rolled without thought off my tongue. Now, I can’t look at your name without an abundance of sentiment attached to each lettter. Your name, which I played with so carelessly, so easily, has somehow become sacred to my lips. A name I won’t throw around lightheartedly or repeat without deep thought. And if ever I speak of you, I use the English language to describe who you were to me. You are nameless, because those letters grouped together in that familiar form….. carries too much meaning for my capricious heart. ↗
#love #love-story #memories #names #passion
People who have a creative side and do not live it out are most disagreeable clients. They make a mountain out of a molehill, fuss about unnecessary things, are too passionately in love with somebody who is not worth so much attention, and so on. There is a kind of floating charge of energy in them which is not attached to its right object and therefore tends to apply exaggerated dynamism to the wrong situation. ↗
I may not be able to say these words to you but that doesn't mean I can't say it to the rest of the world. I'm not a poet. Nor do I try to be one. I simply share what I do in my spare time. All poetry springs from genuine feelings. I'm only a woman expressing herself to the world. ↗
This is what Laura loved about literature. You could see things in it that perhaps weren’t there, but might be. And even that didn’t matter if, in the end, readers needed something to be there. They could bring their somethings to a text, as co-creators, embedding a needed reality in the story that, if it was flexible enough, would allow new threads to take their place beside the author’s. ↗
It does seem, in other words, not only more difficult for a woman experimental writer to be accepted than for a woman writer (which corresponds to the male situation of experimental writer vs. writer), but also peculiarly more difficult for a woman experimental writer to be accepted than for a male experimental writer. She may, if young, get caught up in a “movement,” like Djuna Barnes, like H.D., like Laura Riding, as someone’s mistress, and then be forgotten, or if old, she maybe “admitted” into a group, under a label, but never quite as seriously considered as the men in that group. ↗
#men
When I am about to embark on a difficult journey, I comfort myself by reading the accounts of the great nineteenth-century travellers, men like Stanley, Burton, Speke, Burckhardt and Barth. ↗
