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People drive everywhere in L.A., so you get very little human interaction... but N.Y. and Chicago are like London... L.A. lacks the social interaction. ↗
#drive #everywhere #get #human #interaction
Everybody knows who dragons are. They are enourmous,fierce,bloodthirsty creatures appearing in fairytales and legends primarily as accessories, functioning mainly to set of the bravery of the knights challenging them. Dragons are obscure,mysterious characters described only in broad terms, little more than foils to enhance a hero's valor. Dragons though are much more than this. They are intelligent and educated creatures who lead entralling lives. ↗
The 'polymath' had already died out by the close of the eighteenth century, and in the following century intensive education replaced extensive, so that by the end of it the specialist had evolved. The consequence is that today everyone is a mere technician, even the artist... ↗
Placing the burden on the individual to break down doors in finding better education for a child is attractive to conservatives because it reaffirms their faith in individual ambition and autonomy. But to ask an individual to break down doors that we have chained and bolted in advance of his arrival is unfair. ↗
There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden. ↗
My standards were, after all, abnormally high." - the fictional ghost of Hugh Hefner, lamenting on sex in the after-life. ↗
Fiction, at the point of development at which it has arrived, demands from the writer a spirit of scrupulous abnegation.The only legitimate of all the irreconcilable antagonisms that make our life so enigmatic, so burdensome, so fascinating, so dangerous--so full of hope. They exist! And this is the only fundamental truth of fiction. ↗
Suddenly Faramir stirred, and he opened his eyes, and he looked on Aragorn who bent over him; and a light of knowledge and love was kindled in his eyes, and he spoke softly. 'My lord, you called me. I come. What does the king command? ↗
