I very rarely saw Tom Kite around. I've talked to Tom about it. I don't think Michael Jordan needed to be on the captain's cart with Kite; he needed to be walking in the gallery, supporting them from outside the ropes. ↗
Raymond Floyd. The man knows how to control situations. He was experienced. He didn't let me get overly excited; he kept me in check. It allowed me to free myself up, and I played really well with him. ↗
The cast clubs were a big part of it, too. I found I wasn't getting that instant feedback I was used to with a forged blade. The sweet spot is a shade bigger, and when I didn't hit the ball dead center, I didn't know it, because it still felt great. ↗
The two-piece ball I switched to spun too much. One shot would go the distance I thought it should, then the next one would fall short, and then the next one would go long. ↗
I had a meeting in LA in which they took a really overstuffed hour and a half. It was as close to old Hollywood as I remembered it in the last 20 years. ↗
