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The difference was principally in the invisible places toward which their respective hearts were turned. They dreamed of Cairo with its autonomous government, its army, its newspapers and its cinema, while he, facing in the same direction, dreamed just a little beyond Cairo, across the Bhar El Hamar to Mecca. They thought in terms of grievances, censorship, petitions and reforms; he, like any good Moslem who knows only the tenets of his religion, in terms of destiny and divine justice. If the word 'independence' was uttered, they saw platoons of Moslem soldiers marching through streets were all the signs were written in Arabic script, they saw factories and power plants rising from the fields; he saw skies of flame, the wings of avenging angels, and total destruction. ↗
Bear with me G-Harrison because this is going to be a long speech. I’ve always had this feeling that the world is not enough and I won’t be happy in life unless I hold hands with a girl who has a golden eye and a gold finger; I beat the living daylights out a guy called Dr No; I get a postcard from my friend who lives in Russia which reads ‘From Russia with love’; I spend some time working for her majesty’s secret service; I play the Thunderball Super Spud lottery; I meet a guy called Moonraker; I finally get a licence to kill, which I applied for months ago; I buy a house with a view to kill for and I get a pet octopus called Octopussy. If only I lived twice and tomorrow never died, maybe then I would get a chance to fulfil my dreams. ↗
Although I am a young leader, I actually came to it strangely quite late. I have a different perspective, partly because of my family, partly because of what I did for ten years: negotiating trade deals, working out in Central Asia doing assistance projects. ↗
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In rereading one of the best essays I know on Dante's Paradiso, Giovanni Getto's "Aspetti della poesia di Dante" (Aspects of Dante's Poetry, 1947), one can see that there is not one single image of Paradise that does not stem from a tradition that was part of the medieval reader's heritage, I won't say of ideas, but of daily fantasies and feelings. It is from the biblical tradition and the church fathers that these radiances come from, these vortices of flame, these lamps, these suns, these brilliances and brightnesses emerging "like a horizon clearing" (Par. 14.69)...For medieval man, reading about this light and luminosity was equivalent to when we dream about the sinuous gracefulness of a movie star, the elegant lines of a car...It is this appeal to a poetry of understanding that can make the Paradiso fascinating even for the modern reader who has lost the reference points familiar to his medieval counterpart. ↗
