I booked my first studio at like 12 or 13. Somewhere in that season of my life, singing along with the radio became me wanting to be on radio, you know. ↗
I booked my first studio at like 12 or 13. Somewhere in that season of my life, singing along with the radio became me wanting to be on radio, you know. And writing Langston Hughes replica poems became me wanting to write like Stevie Wonder. ↗
When she became very ill with heart trouble, I saw that it would be impossible for my parents to provide for my studies, and I obtained their permission to go to sea to make a career for myself there. ↗
An agent saw one of the plays I did at ACT, but my mom was like, No, she's too young. I became so annoying that a year and a half later she just couldn't stand hearing me any more! ↗
People thought me a bit strange at first; a blond haired, blue-eyed Norwegian who sang Mexican folk songs, but I used it to my advantage and got a job. And so the music became my ticket to education. ↗
I became comfortable with what I knew would be the process of trying to pick up the pieces of brain that were in the rubble and tried to make some mosaic out of the pieces and that that would be the trajectory. ↗
I became a better listener than I ever had been as a result of playing Jean Luc Picard because it was one of the things that he does terrifically well. ↗
I began directing episodes, which was a great light every couple of months. We never short-changed our audience, but it became something that you had to work at rather than something that was a pleasure. ↗